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Author |
Svetlova, Anna |
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Title |
The poet who failed his best play? Podmiot mówiący w utworach zespołu Nightwish wobec paradygmatu romantycznego [The poet who failed his best play? Speaking subject in the tracks of Nightwish in the face of the romantic paradigm] |
Type |
Journal Article |
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Year |
2018 |
Publication |
Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura |
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Volume |
10 |
Issue |
3 |
Pages |
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Keywords |
Nightwish (band); Lyrics; Romanticism |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2002 |
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Author |
Fejes, János |
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Title |
The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Keywords |
Rhetoric; Bible; Reception; Motifs; Extreme Metal; Mythology |
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Thesis |
Ph.D. thesis |
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Publisher |
Pázmány Péter Katolikus Egyetem |
Place of Publication |
Budapest |
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Language |
hu |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fejes_reception_2018 |
Serial |
742 |
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Author |
Shafron, Gavin Ryan |
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Title |
The Relationship of Intensity of Preference for Heavy Metal Music to Emotional Dysphoria |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Abbreviated Journal |
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Keywords |
Psychology |
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Thesis |
Ph.D. thesis |
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Publisher |
Alliant International University |
Place of Publication |
California |
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Language |
English |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ shafron_relationship_2018 |
Serial |
887 |
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Author |
Spracklen, Karl |
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Title |
Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal |
Type |
Journal Article |
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Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
4 |
Issue |
1 |
Pages |
61-80 |
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Keywords |
Extreme Metal; Non-Western scenes; Central Asia; Mogolia |
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Language |
en |
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ISSN |
2052-3998 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ spracklen_throat_2018 |
Serial |
589 |
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Author |
Heritage, Gareth |
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Title |
Torment[Her] (Misogyny as an Artistic Device): Alternative Perspectives on the Misogynist Aesthetic of W.A.S.P.’s ‘The Rack’ |
Type |
Book Chapter |
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Year |
2018 |
Publication |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
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Issue |
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Pages |
61-80 |
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Keywords |
Gender; W.A.S.P.; Misogyny |
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Publisher |
Emerald Publishing Limited |
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Editor |
Holland, Samantha; Spracklen, Karl |
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Emerald Studies in Alternativity and Marginalization |
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ISBN |
978-1-78756-512-8 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ heritage_tormenther_2018 |
Serial |
728 |
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Author |
Emms, Rachel; Crossley, Nick |
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Title |
Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom |
Type |
Journal Article |
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Year |
2018 |
Publication |
The Canadian Review of Sociology; Montreal |
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Volume |
55 |
Issue |
1 |
Pages |
111-135 |
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Keywords |
Sociology; United Kingdom |
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Language |
English |
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Edition |
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ISSN |
1755-6171 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ emms_translocality_2018 |
Serial |
889 |
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Author |
Pilo, Baptiste |
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Title |
True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the ‘90s |
Type |
Book Chapter |
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Year |
2018 |
Publication |
Sounds of origin in heavy metal music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
41-70 |
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Keywords |
Norway; Extreme right; Politics; Nationalism; Authenticity; Black MEtal |
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Publisher |
Cambridge Scholars Publishing |
Place of Publication |
Cambridge |
Editor |
Karjalainen, Toni-Matti |
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Language |
English |
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ISBN |
978-1-5275-1170-5 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ karjalainen_true_2018 |
Serial |
475 |
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Author |
St-Laurent, Méi-Ra; Smialek, Eric |
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Title |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
Type |
Book Chapter |
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Year |
2018 |
Publication |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
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Volume |
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Issue |
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Pages |
378-399 |
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Keywords |
Complexity; Musicology; Elitism; High culture |
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Publisher |
Routledge |
Place of Publication |
Abingdon & New York |
Editor |
Scotto, Ciro; Smith, Kenneth; Brackett, John |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2080 |
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Permanent link to this record |
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Author |
Heesch, Florian |
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Title |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
Type |
Journal Article |
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Year |
2018 |
Publication |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
Abbreviated Journal |
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Volume |
11 |
Issue |
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Pages |
1-18 |
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Keywords |
Aggression, Death metal, Gender and music, Vocal practice, vocal sound |
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Abstract |
Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence.
- Résumé:
Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
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Address |
https://journals.openedition.org/ |
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Publisher |
OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) |
Place of Publication |
Marseille, France |
Editor |
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Language |
English |
Summary Language |
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Edition |
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ISSN |
2108-6907 |
ISBN |
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Notes |
https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2320 |
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Author |
Annegg, Florian |
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Title |
You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene |
Type |
Book Whole |
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Year |
2018 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Sociology; Aesthetics |
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Abstract |
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Thesis |
Ph.D. thesis |
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Publisher |
Universität Wien |
Place of Publication |
Vienna |
Editor |
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Language |
en |
Summary Language |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ annegg_you_2018 |
Serial |
446 |
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Permanent link to this record |