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Author  |
Carlos, Caitlin Vaughn |
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Title |
“Ramble on”: medievalism as a nostalgic practice in Led Zeppelin’s use of J. R. R. Tolkien |
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Book Chapter |
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Year |
2020 |
Publication |
The Oxford handbook of music and medievalism |
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Pages |
529-546 |
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Keywords |
Neomedievalism |
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Oxford University Press |
Place of Publication |
Oxford |
Editor |
Meyer, Stephen C.; Yri, Kirsten |
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en |
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978-0-19-065844-1 |
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UCM - CAM @ amaranta.saguar.garcia @ meyer_ramble_2020 |
Serial |
144 |
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Author |
Castañeda Maldonado, Mario Efraín |
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Title |
The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala |
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Book Chapter |
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Year |
2020 |
Publication |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
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Pages |
219-238 |
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Keywords |
Guatemala; Non-Western scenes; Latin America; Religion |
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Lexington Books |
Place of Publication |
Lanham |
Editor |
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2023 |
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Author |
Castillo Bernal, Stephen |
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Title |
¡Invierte la cruz invertida! Primeras apreciaciones sobre el metal cristiano mexicano. |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Etnomusicología y globalización: Dinámicas cosmopolitas de la música popular. |
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Pages |
113-134 |
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Keywords |
Análisis etnográfico, simbólico e imaginario sobre el metal cristiano en México; Etnomusicología; Música–Aspectos sociales–México; Música y globalización–Aspectos sociales-México; Música popular mexicana–Aspectos sociales. |
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Abstract |
El heavy metal es un movimiento cultural que inició en la década de 1970. Este estilo musical periférico ha sido estigmatizado por gran parte de la sociedad, tachándolo de simple, de burdo, de satánico (Christe, 2004). De la misma forma, se ha estereotipado a sus fanáticos, dando por supuesto que se trata de drogadictos o delincuentes (Singer, Levi y Jou, 1993). Y, sin embargo, el heavy metal sigue siendo uno de los referentes musicales más socorridos entre las juventudes contemporáneas (Santos, 2016). Algo característico de esta escena musical, independientemente del subgénero, es su asociación con temas transgresores. El más característico es el cuestionamiento de los metarrelatos, como la religión judeocristiana o la política. A pesar de que existen muchas propuestas ideológicas, musicales y vocales dentro del heavy metal, el tocar temas tabú de la sociedad es algo fundamental de este género musical, por lo cual muchos jóvenes, en su época contestataria y rebelde, lo adoptan, casi siempre para no abandonarlo nunca más.
En este trabajo delinearé parte de los cimientos del heavy metal cristiano. Esta vertiente del heavy metal, a pesar de encontrarse dentro del movimiento planetario metalero, se estructura en función de su filiación cristiana, esto es, sus líricas aluden a Dios, a sus hazañas en la Tierra y a la lucha contra los pecados y la maldad del mundo. Pareciera ser que este tipo de ideología es impensable en el mundo del heavy metal, sobre todo porque éste se ha asociado erróneamente con el satanismo y con los temas tabú. Sin embargo, la música en sí misma del metal cristiano es transgresora, ya que las agrupaciones de este subgénero pueden especializarse en death, power, thrash o doom, o incluso en black metal, con sonidos y vocales que, definitivamente, alguien que no sea partícipe del movimiento lo tacharía de satánico.
Este trabajo será apuntalado mediante la mirada etnográfica realizada en el pasado XV Éxodo Metal Fest, festival musical celebrado en la montaña de La Malinche, en Tlaxcala, en abril de 2017. Este evento de metal al aire libre congrega a diferentes bandas de metal cristiano y a diversos seguidores del movimiento espiritual. Las pautas identitarias de los músicos, de los fans y de los organizadores serán utilizadas para perfilar un estudio más profundo de un movimiento que, desde mi punto de vista, constituye otra representación underground de lo underground. |
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El Colegio de la Frontera Norte (El Colef) |
Place of Publication |
Tijuana, Baja California, México |
Editor |
Coordinación editorial: Érika Moreno Páez |
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español |
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Olmos Aguilera, Miguel (coordinator) |
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ISBN |
978-607-479-348-2 |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2406 |
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Author |
Chambal, Aladin |
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Title |
Matérialisme et quête d’authenticité, ambivalence identitaire des passionnés de la scène metal underground ? |
Type |
Book Chapter |
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Year |
2020 |
Publication |
French metal studied: Approches différenciées des acteurs et des publics |
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Volume |
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Issue |
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Pages |
85-116 |
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Keywords |
France |
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Publisher |
Corentin Charbonnier |
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Editor |
Charbonnier, Corentin; Salvat, Ëmilie; Goebel, Julien |
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ISBN |
978-2-9558789-7-2 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ charbonnier_materialisme_2020 |
Serial |
1989 |
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Author |
Charansol, Pandora |
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Title |
La scène metal en France. Situation et perspectives d’avenir |
Type |
Book Chapter |
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Year |
2020 |
Publication |
French metal studied: Approches différenciées des acteurs et des publics |
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Volume |
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Issue |
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Pages |
19-56 |
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Keywords |
France |
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Publisher |
Corentin Charbonnier |
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Editor |
Charbonnier, Corentin; Salvat, Ëmilie; Goebel, Julien |
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ISBN |
978-2-9558789-7-2 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ charbonnier_scene_2020 |
Serial |
1987 |
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Author |
Charbonnier, Corentin |
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Title |
Hellfest et Hellstats : enjeux de la connaissance du public tant pour les organisateurs que pour une réflexion socioanthropologique |
Type |
Book Chapter |
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Year |
2020 |
Publication |
French metal studied: Approches différenciées des acteurs et des publics |
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Volume |
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Issue |
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Pages |
163-180 |
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Keywords |
France; Festival |
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Publisher |
Corentin Charbonnier |
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Editor |
Charbonnier, Corentin; Salvat, Ëmilie; Goebel, Julien |
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ISBN |
978-2-9558789-7-2 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ charbonnier_hellfest_2020 |
Serial |
1992 |
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Author |
Charbonnier, Corentin; Salvat, Ëmilie; Goebel, Julien (eds) |
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Title |
French metal studied: Approches différenciées des acteurs et des publics |
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Book Whole |
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Year |
2020 |
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Keywords |
France |
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Publisher |
Corentin Charbonnier |
Place of Publication |
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Editor |
Charbonnier, Corentin; Salvat, Ëmilie; Goebel, Julien |
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ISBN |
978-2-9558789-7-2 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ charbonnier_french_2020 |
Serial |
1986 |
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Author |
Chowenhill, Richard |
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Title |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
Type |
Book Whole |
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Year |
2020 |
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Keywords |
Musicology; Extreme Metal; Composition |
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Thesis |
Ph.D. thesis |
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Publisher |
Brandeis University |
Place of Publication |
Waltham |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2034 |
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Author |
Connole, Edia |
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Title |
On the Meaning of Style: Black Metal’s “Black” |
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Book Chapter |
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Year |
2020 |
Publication |
Hebdige and Subculture in the Twenty-First Century |
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Pages |
135-168 |
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Black Metal; Style |
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Publisher |
Palgrave Macmillan |
Place of Publication |
Cham |
Editor |
Gildart, Keith; Gough-Yates, Anna; Lincoln, Sian; Osgerby, Bill; Robinson, Lucy; Street, John; Webb, Peter; Worley, Matthew |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2051 |
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Author |
Copilaș, Emanuel |
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Title |
Slayer and psychoanalysis |
Type |
Journal Article |
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Year |
2020 |
Publication |
Metal Music Studies |
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6 |
Issue |
1 |
Pages |
109-121 |
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Keywords |
Psychology; Slayer |
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en |
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ISSN |
2052-3998, 2052-4005 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ copilas_slayer_2020 |
Serial |
639 |
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