| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
|
|
|
Herbst, Jan; Mynett, Mark |
Contemporary Approaches to Metal Music Production: Traditional Heavy Metal, Death Metal, and Metalcore |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
469-481 |
|
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
|
Swallow, Reuben; Herbst, Jan-Peter |
Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance |
2022 |
Metal Music Studies |
8 |
351-379 |
|
|
|
Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
|
|
|
Lux, Marian; Herbst, Jan-Peter |
From analogue to algorithm: How private production reshaped metal aesthetics |
2024 |
Metal Music Studies |
10 |
249-274 |
|
|
|
Herbst, Jan-Peter |
Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos |
2017 |
Metal Music Studies |
3 |
231-250 |
|
|
|
Herbst, Jan-Peter |
Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk2 Albums. |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
209-231 |
|
|
|
Herbst, Jan-Peter |
The formation of the West German power metal scene and the question of a ‘Teutonic’ sound |
2019 |
Metal Music Studies |
5 |
201-223 |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Lorna Shore’s ‘To the Hellfire’: A study in heaviness |
2023 |
Metal Music Studies |
9 |
189-213 |
|
