| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Swallow, Reuben; Herbst, Jan-Peter |
Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance |
2022 |
Metal Music Studies |
8 |
351-379 |
|
|
|
Jordan, Jamie Boddington; Herbst, Jan-Peter |
Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres |
2023 |
Metal Music Studies |
9 |
27-58 |
|
|
|
Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
|
|
|
Herbst, Jan-Peter |
Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music |
2017 |
Metal Music Studies |
3 |
23-46 |
|
|
|
Herbst, Jan-Peter |
Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos |
2017 |
Metal Music Studies |
3 |
231-250 |
|
|
|
Herbst, Jan-Peter |
Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures |
2018 |
Metal Music Studies |
4 |
95-113 |
|
|
|
Herbst, Jan-Peter |
Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives |
2019 |
Metal Music Studies |
5 |
53-69 |
|
