| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Wallach, Jeremy |
Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore |
2011 |
Metal rules the globe: heavy metal music around the world |
|
86-105 |
|
|
|
Wallach, Jeremy |
Distortion drenched dystopias: metal and modernity in Southeast Asia |
2010 |
The metal void: first gatherings |
|
357-366 |
|
|
|
Wallach, Jeremy |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
2003 |
Global Pop, Local Language |
|
53-86 |
|
|
|
Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. |
Affective overdrive, scene dynamics, and identity in the global metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
3-33 |
|
|
|
Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. (eds) |
Metal rules the globe: heavy metal music around the world |
2011 |
|
|
|
|
|
|
Wallach, Jeremy; Clinton, Esther |
The horror and the allure: metal, power, gothic literature, and multisubjectivity |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2013 |
Heavy metal: controversies and countercultures |
|
117-135 |
|
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2011 |
Popular Music History |
6 |
116-134 |
|
