| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Ayik, Ilgin |
Pentagram (a.k.a. Mezarkabul): Founders of Turkish heavy metal |
2010 |
The metal void: first gatherings |
|
293-300 |
|
|
|
Azevedo, Cláudia |
Metal in Rio de Janeiro 1980’s-2008: an overview |
2010 |
The metal void: first gatherings |
|
331-340 |
|
|
|
Blessin, Joseph R. |
Modalities of the avant-garde: the aesthetic role of light in the parallax of Alexander Scriabin’s opera ”Mysterium” and heavy metal performance |
2010 |
The metal void: first gatherings |
|
301-330 |
|
|
|
Brown, Andy R. |
The importance of being metal: the metal music tabloid and youth identity construction |
2010 |
The metal void: first gatherings |
|
105-134 |
|
|
|
Chaker, Sarah |
Extreme music for extreme people: black and death metal put to the test in a comparative empirical study |
2010 |
The metal void: first gatherings |
|
265-278 |
|
|
|
Clendinning, Elizabeth A.; McAuley, Kathleen |
The call of Cthulhu: narrativity of the cult in metal |
2010 |
The metal void: first gatherings |
|
245-256 |
|
|
|
Deanna, Carmen |
Tragic metal |
2010 |
The metal void: first gatherings |
|
47-60 |
|
|
|
Elflein, Dietmar |
Slaying the pulse: rhythmic organisation and rhythmic interplay within heavy metal |
2010 |
The metal void: first gatherings |
|
279-292 |
|
|
|
Forrest, Rebecca |
Mud shark: groupies and the construction of the heavy metal rock god |
2010 |
The metal void: first gatherings |
|
135-148 |
|
|
|
Frandsen, Daniel |
Suicide, Booze and Loud Guitars |
2010 |
The metal void: first gatherings |
|
219-232 |
|
