| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Wallach, Jeremy |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
2003 |
Global Pop, Local Language |
|
53-86 |
|
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2011 |
Popular Music History |
6 |
116-134 |
|
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2013 |
Heavy metal: controversies and countercultures |
|
117-135 |
|
|
|
Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. |
Affective overdrive, scene dynamics, and identity in the global metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
3-33 |
|
|
|
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
|
|
|
Wallach, Jeremy |
Distortion drenched dystopias: metal and modernity in Southeast Asia |
2010 |
The metal void: first gatherings |
|
357-366 |
|
|
|
Wallach, Jeremy |
Distortion drenched dystopias: metal and modernity in Southeast Asia |
2012 |
Reflections in the Metal Void |
|
89-100 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Epilogue: Metal Unbound |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
387-390 |
|
|
|
Hickam, Brian; Wallach, Jeremy |
Female Authority and Dominion: Discourse and Distinctions of Heavy Metal Scholarship |
2011 |
Journal for Cultural Research |
15 |
255-277 |
|
|
|
Wallach, Jeremy |
Global Rock as Postcolonial Soundtrack |
2020 |
The Bloomsbury Handbook of Rock Music Research |
|
469-485 |
|
