| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Wallach, Jeremy |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
2003 |
Global Pop, Local Language |
|
53-86 |
|
|
|
Wallach, Jeremy |
Distortion drenched dystopias: metal and modernity in Southeast Asia |
2010 |
The metal void: first gatherings |
|
357-366 |
|
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2011 |
Popular Music History |
6 |
116-134 |
|
|
|
Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. (eds) |
Metal rules the globe: heavy metal music around the world |
2011 |
|
|
|
|
|
|
Hickam, Brian; Wallach, Jeremy |
Female Authority and Dominion: Discourse and Distinctions of Heavy Metal Scholarship |
2011 |
Journal for Cultural Research |
15 |
255-277 |
|
|
|
Wallach, Jeremy |
Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore |
2011 |
Metal rules the globe: heavy metal music around the world |
|
86-105 |
|
|
|
Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. |
Affective overdrive, scene dynamics, and identity in the global metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
3-33 |
|
|
|
Wallach, Jeremy |
Distortion drenched dystopias: metal and modernity in Southeast Asia |
2012 |
Reflections in the Metal Void |
|
89-100 |
|
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2013 |
Heavy metal: controversies and countercultures |
|
117-135 |
|
|
|
Clinton, Esther; Wallach, Jeremy |
Recoloring The Metal Map: Metal And Race In Global Perspective |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
274-282 |
|
