| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Guberman, Daniel |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
2018 |
Tyrannny and Music |
|
183-198 |
|
|
|
Tzu-Han Cheng; Chen-Gia Tsai |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
2016 |
Frontiers in Psychology |
7 |
art. 182 |
|
|
|
Coronado, Jimmy |
La influencia de la expresión de la música Metal en la identidad cultural de Tribus Urbanas de metaleros de la ciudad de La Paz |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
169-200 |
|
|
|
Verne, Markus |
Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar |
2021 |
Die Handlungsmacht ästhetischer Objekte |
|
167-196 |
|
|
|
Trummer, Manuel |
Highway to Hell: Das Satanische im Heavy Metal |
2024 |
|
|
166 |
|
|
|
Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
2022 |
Metal Music Studies |
8 |
163-182 |
|
|
|
Calvo, Manuela Belén |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
163-186 |
|
|
|
Wallach, Jeremy |
REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist |
2023 |
Sounding Out the State of Indonesian Music |
|
162-179 |
|
|
|
Pichler, Peter |
“Breaking the Law...?” On the Role of Law and Legal References in the Cul- tural History of the Heavy Metal Scene in Styria since 1980 |
2022 |
Austrian Law Journal |
2 |
159-179 |
|
|
|
Janotti Junior, Jeder |
Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. |
|
|
|
156 |
|
