| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Overell, Rosemary |
Affective intensities in extreme music scenes: cases from Australia and Japan |
2014 |
|
|
|
|
|
|
Spracklen, Karl |
Afterword. Being Metal, Being Australian? Reflections and an Afterword |
2019 |
Australian Metal Music |
|
145-148 |
|
|
|
Hoad, Catherine (ed) |
Australian Metal Music |
2019 |
|
|
|
|
|
|
Apter, Jeff |
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
2021 |
|
|
296 |
|
|
|
Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
|
|
|
Overell, Rosemary |
Brutal belonging in Melbourne’s grindcore scene |
2010 |
Studies in Symbolic Interaction. Vol. 35 |
|
79-99 |
|
|
|
Overell, Rosemary |
Brutal belonging in other spaces: grindcore touring in Melbourne and Osaka |
2015 |
Youth cultures and subcultures: Australian perspectives |
|
|
|
|
|
Yalcinkaya, Can; Ahmed, Safdar |
Creeping Sharia: An Extreme Response to Islamophobia |
2019 |
Australian Metal Music |
|
111-128 |
|
|
|
Hoad, Catherine |
Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? |
2019 |
Australian Metal Music |
|
1-18 |
|
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
