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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Walzl, Michael |
Authentizitätskonzepte im Heavy Metal: wie aufklärerische Ansätze der Moderne postmodern gespielt werden |
2011 |
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|
|
|
van Doesburg, Eline |
The Rejection and Redemption of Technology in Black Metal |
2023 |
|
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|
|
|
Smialek, Eric |
The Unforgiven: A Reception Study of Metallica Fans and ‘Sell-Out’ Accusations |
2016 |
Global metal music and culture: current directions in metal studies |
|
106-124 |
|
|
|
Pilo, Baptiste |
True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the ‘90s |
2018 |
Sounds of origin in heavy metal music |
|
41-70 |
|
|
|
McCombe, John |
Hair Metal And Authenticity In The Twenty-First Century Heavy Metal Canon Wars |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
319-327 |
|
|
|
Mccombe, John |
Authenticity, artifice, ideology: Heavy metal video and MTV’s ‘Second Launch’, 1983–1985 |
2016 |
Metal Music Studies |
2 |
405-411 |
|
|
|
Lindholm, Philip |
The Struggle Within: Hetfield, Kierkegaard, and the Pursuit of Authenticity |
2007 |
Metallica and Philosophy: a crash course in brain surgery |
|
65-73 |
|
|
|
Larsson, Susanna |
“I Bang my Head, Therefore I Am”: Constructing Individual and Social Authenticity in the Heavy Metal Subculture |
2013 |
Young |
21 |
95-110 |
|
|
|
Hagen, Ross |
Obsequiae: Reconciling ’Authentic’ Medieval Musical Styles with Metal |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
145-156 |
|
|
|
Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
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