| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Fridh, Sanna |
Lord Satan’s Secret Rites and Satanism as Self-Therapy: The Creation of a Masculinity Gender Identity within Black Metal |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
177-184 |
|
|
|
Fromm, Rainer |
Genese der Black Metal-Subkultur und des Neosatanismus in der Rockmusik |
2011 |
BPJM-Aktuell |
4 |
6-12 |
|
|
|
Fung, Owen |
The Construction of ”Peoplehood” in the Second Wave of Norwegian Black Metal |
2010 |
Reinvention: a Journal of Undergraduate Research |
3 |
|
|
|
|
Gac, Domink |
Zabawa czy rytuał? Miejsce black metalu w świecie performansu |
2019 |
Kultura rocka 2. Słowo, dźwięk, performance |
|
311-320 |
|
|
|
Gac, Domink |
Zabawa czy rytuał? Miejsce black metalu w świecie performansu |
2016 |
Kultura rocka 2. Słowo, dźwięk, performance (2) |
|
94-104 |
|
|
|
García Serrano. Marco Antonio |
PIEL MESTIZA, MÁSCARAS BLANCAS. EL BLACK METAL MEXICANO: PROCESOS DE HIBRIDACIÓN, RACISMO Y BLANQUITUD |
2022 |
Metal de Habla Hispana |
1 |
60-66 |
|
|
|
Gardenour Walter, Brenda S. |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
171-180 |
|
|
|
Gardenour Walter, Brenda S. |
Through the Looking Glass Darkly: Medievalism, Satanism, and the Dark Illumination of the Self in the Aesthetics of Black Metal |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
13-27 |
|
|
|
Gardenour Walter, Brenda S. |
Black Metal, Forked Tongue: Satanism, Paganism, and the Persistence of the Medieval |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
115-128 |
|
|
|
Gonzalez, Rafael Emmanuel |
Woodland cathedral: Cascadian black metal and implicit religion |
2015 |
|
|
|
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