| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Burkhardt, Guga |
Arte extrema para olhos atentos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
187-202 |
|
|
|
Burns, Lori |
Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus |
2019 |
The Bloomsbury Handbook to Popular Music Video Analysis |
|
183-200 |
|
|
|
Campoy, Leonardo C. |
Trevas sobre a luz: O Underground do Heavy Metal Extremo no Brasil |
2010 |
|
|
|
|
|
|
Campoy, Leonardo C. |
Trevas na cidade: o underground do metal extremo no brasil |
2008 |
|
|
|
|
|
|
Campoy, Leonardo Carbonieri |
As revelações da escuridão: o show no underground do heavy metal extremo como um ritual |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
203-221 |
|
|
|
Castaños, Mikel Peregrina |
Hidden Rituals, Secret Powers And Everlasting Horrors: The Presence Of Lovecraftian Imaginary in Spanish Recent Extreme Metal / Ritos arcanos, poderes ocultos y horrores intemporales: la presencia del imaginario lovecraftiano en el metal extremo español reciente |
2019 |
Brumal : Revista de Investigación sobre lo Fantástico = Research Journal on the Fantastic; Bellaterra |
7 |
81-105 |
|
|
|
Chaney, Damien; Petite, Antoine; Chaney, Ludovic (eds) |
État des lieux des musiques extrêmes: les albums essentiels d’un demi-siècle de transgression hard rock, métal, punk, hardcore & co |
2011 |
|
|
|
|
|
|
Chowenhill, Richard |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
2020 |
|
|
|
|
|
|
Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
|
|
|
Dairianathan, Eugene |
Vedic metal and e-mediated space: a perspective from Singapore |
2013 |
Asian Journal of Communication |
23 |
348-367 |
|
