| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
|
|
|
Mackenzie, James Alexander |
Tech noir: Aesthetic connections between Burroughs’ Naked Lunch and contemporary extreme metal |
2018 |
Metal Music Studies |
4 |
25-40 |
|
|
|
Spracklen, Karl |
Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal |
2018 |
Metal Music Studies |
4 |
61-80 |
|
|
|
Kirner-Ludwig, Monika; Wohlfarth, Florian |
METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal |
2018 |
Metal Music Studies |
4 |
403-432 |
|
|
|
Riches, Gabrielle; Lashua, Brett; Spracklen, Karl |
Female, Mosher, Transgressor: A ’Moshography’ of Transgressive Practices within the Leeds Extreme Metal Scene |
2013 |
IASPM Journal |
4 |
87-100 |
|
|
|
Fejes, János |
Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music |
2017 |
Acta Universitatis Sapientiae, Communicatio |
4 |
37-60 |
|
|
|
Grant, Sam |
Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts |
2017 |
Metal Music Studies |
3 |
175-200 |
|
|
|
Netherton, Jason |
The entrepreneurial imperative: Recording artists in extreme metal music proto-markets |
2017 |
Metal Music Studies |
3 |
369-386 |
|
|
|
Villalobos Albornoz, Omar |
“Pampa endiablada” y extreme metal: sociología visual y hermenéutica del diseño |
2015 |
Revista de Estudios Cotidianos |
3 |
253-286 |
|
|
|
Overell, Rosemary |
Voicing the Real in Extreme Metal |
2021 |
Continental Thought & Theory |
3 |
136-163 |
|
