| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hill, Rosemary Lucy |
Metal and sexism |
2018 |
Metal Music Studies |
4 |
265-279 |
|
|
|
Hill, Rosemary Lucy |
Gender, metal and the media: women fans and the gendered experience of music |
2016 |
|
|
|
|
|
|
Hill, Rosemary Lucy |
Masculine Pleasure? Women’s Encounters with Hard Rock and Metal Music |
2016 |
Global metal music and culture: current directions in metal studies |
|
277-296 |
|
|
|
Hill, Rosemary Lucy |
‘Power has a penis’: Cost reduction, social exchange and sexism in metal – reviewing the work of Sonia Vasan |
2016 |
Metal Music Studies |
2 |
263-271 |
|
|
|
Hill, Rosemary Lucy |
Using Women’S Listening Pleasure To Challenge The Notion Of Hard Rock And Metal As ‘Masculine’ Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
240-246 |
|
|
|
Hill, Rosemary Lucy |
Pleasure in Metal: What Women Fans Like about Hard Rock and Metal Music |
2012 |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
|
117-127 |
|
|
|
Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
|
|
|
Hindrichs, Thorsten |
”Body Count’s in the House”: Challenging the US Working-Class Metal-Hero |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
109-120 |
|
|
|
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
|
|
|
Hoad, Catherine |
Slashing through the boundaries: Heavy metal fandom, fan fiction and girl cultures |
2017 |
Metal Music Studies |
3 |
5-22 |
|
