| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Rekedal, Jacob Eric |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
2015 |
|
|
418 |
|
|
|
Nevárez Araujo, Daniel |
Metal Migration: The Latin American Diasporic Experience in Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
305-332 |
|
|
|
Rivera-Segarra, Eliut; Ramos, Jeffrey W.; Varas-Díaz, Nelson |
“A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
287-304 |
|
|
|
Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
|
|
|
Klausner, Guilherme Alfradique |
Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
265-284 |
|
|
|
Villalobos Albornoz, Omar |
“Pampa endiablada” y extreme metal: sociología visual y hermenéutica del diseño |
2015 |
Revista de Estudios Cotidianos |
3 |
253-286 |
|
|
|
Pascuchelli, María Natalia; Vidal Vargas, Pablo |
Los estudios metálicos (metal studies) en Latinoamérica y Argentina: un posible estado del arte |
2021 |
El oído pensante |
9 |
252-278 |
|
|
|
Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
|
|
|
Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
|
|
|
Díaz, Nelson Varas |
Coloniality and Resistance in Latin American Metal Music: Death as Experience and Strategy |
2019 |
HIOL: Hispanic Issues On Line |
|
226-251 |
|
