| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Kazdan, Alanna |
Textural applications of power chords in Scandinavian death metal |
2017 |
Metal Music Studies |
3 |
269-321 |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1992 |
Popular Music; Cambridge |
11 |
263 |
|
|
|
Slaven, James E.; Krout, Jody L. |
Musicological analysis of guitar solos from the roots of rock through modern heavy metal |
2016 |
Metal Music Studies |
2 |
245-251 |
|
|
|
Martínez García, Silvia |
Músicas ”populares” y musicología: aportaciones al estudio del heavy metal |
1997 |
Cuadernos de Música Iberoamericana |
4 |
241-257 |
|
|
|
Herbst, Jan-Peter |
Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos |
2017 |
Metal Music Studies |
3 |
231-250 |
|
|
|
Pieslak, Jonathan |
Re-casting Metal: Rhythm and Meter in the Music of Meshuggah |
2007 |
Music Theory Spectrum; Oxford |
29 |
219-223,225 |
|
|
|
Tsai, Chen-Gia; Wang, Li-Ching; Wang, Shwu-Fen; Shau, Yio-Wha; Hsiao, Tzu-Yu; Auhagen, Wolfgang |
Aggressiveness of the Growl-Like Timbre: Acoustic Characteristics, Musical Implications, and Biomechanical Mechanisms |
2010 |
Music Perception |
27 |
209-222 |
|
|
|
Gibson, Dylan Lawrence |
Postmodernism in Lou Reed and Metallica’s collaborative album ”Lulu” : The subjective perception of ”highbrow” and ”lowbrow” |
2019 |
Metal Music Studies |
5 |
187-200 |
|
|
|
Berger, Harris M.; Fales, Cornelia |
”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features |
2005 |
Wired for sound: engineering and technologies in sonic cultures |
|
181-197 |
|
|
|
Hainaut, Bérenger |
”Fear and Wonder”. Le fantastique sombre et l’harmonie des médiantes, de Hollywood au black metal |
2012 |
Volume! La revue des musiques populaires |
9 |
179-197 |
|
