| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
|
|
|
Berger, Harris M. |
The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer |
1997 |
Ethnomusicology; Champaign |
41 |
464-488 |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1997 |
The subcultures reader |
|
459-472 |
|
|
|
Hannan, Calder |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
2018 |
Metal Music Studies |
4 |
433-458 |
|
|
|
Schumann, Garrett |
Terminally Climactic Forms In Heavy Metal Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
413-423 |
|
|
|
Wahlstrom, Kristian |
The Groove Of Hard Rock And Heavy Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
404-412 |
|
|
|
Lilja, Esa |
Dealing With The 3rd: Anatomy Of Distorted Chords And Subsequent Compositional Features Of Classic Heavy Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
393-403 |
|
|
|
Mesiä, Susanna; Ribaldini, Paolo |
Heavy Metal Vocals: A Terminology Compendium |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
383-392 |
|
|
|
St-Laurent, Méi-Ra |
‘Ancien folklore québécois’: An analysis of the phonographic and identity-based narrative of the métal noir québécois community |
2019 |
Metal Music Studies |
5 |
379-399 |
|
|
|
St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
|
