| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Tsai, Chen-Gia; Wang, Li-Ching; Wang, Shwu-Fen; Shau, Yio-Wha; Hsiao, Tzu-Yu; Auhagen, Wolfgang |
Aggressiveness of the Growl-Like Timbre: Acoustic Characteristics, Musical Implications, and Biomechanical Mechanisms |
2010 |
Music Perception |
27 |
209-222 |
|
|
|
Hudson, Stephen S. |
Compound AABA Form and Style Distinction in Heavy Metal |
2021 |
Music Theory Online |
27 |
n.p. |
|
|
|
Pieslak, Jonathan R. |
Sound Targets: Music and the War in Iraq |
2007 |
Journal of Musicological Research |
26 |
123-149 |
|
|
|
Pillsbury, Gleen T. |
Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience |
2000 |
Popular Music and Society |
24 |
125-128 |
|
|
|
Lucas, Olivia R. |
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen |
2018 |
Music Theory Online |
24 |
|
|
|
|
Greene, Paul |
Mixed messages: unsettled cosmopolitanisms in Nepali pop |
2001 |
Popular Music |
20 |
169-187 |
|
|
|
McCandless, Gregory R. |
Metal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater |
2013 |
Music Theory Online |
19 |
|
|
|
|
Berger, Harris M. |
Death metal tonality and the act of listening |
1999 |
Popular Music |
18 |
161-178 |
|
|
|
Friesen, Bruce K.; Epstein, Jonathon S. |
Rock ’n’ roll ain’t noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music |
1994 |
Popular Music and Society; Bowling Green |
18 |
1 |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1992 |
Popular Music; Cambridge |
11 |
263 |
|
