| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Weinstein, Deena |
Just so stories: how heavy metal got its name—A cautionary tale |
2014 |
Rock Music Studies |
1 |
36-51 |
|
|
|
Weinstein, Deena |
How is Metal Studies possible? |
2011 |
Journal for Cultural Research |
15 |
243-245 |
|
|
|
Weinstein, Deena |
The empowering masculinity of British heavy metal |
2009 |
Heavy metal music in Britain |
|
17-32 |
|
|
|
Weinstein, Deena |
The globalization of metal |
2011 |
Metal rules the globe: heavy metal music around the world |
|
34-62 |
|
|
|
Weinstein, Deena |
Reflections on Metal Studies |
2016 |
Global metal music and culture: current directions in metal studies |
|
22-34 |
|
|
|
Weinstein, Deena |
Playing with Gender in the Key of Metal |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
11-25 |
|
|
|
Weinstein, Deena |
”This is Spinal Tap” mocks metal and more, a lot more |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Weinstein, Deena |
Communities of Metal: Ideal, Diminished and Imaginary |
2016 |
Heavy Metal Music and the Communal Experience |
|
3-22 |
|
|
|
Weinstein, Deena |
All Singers Are Dicks |
2004 |
Popular Music and Society |
27 |
323-334 |
|
|
|
Weiner, Chuck |
Marilyn Manson ”talking”: [unofficial & unauthorised] |
2004 |
|
|
|
|
