| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Snaza, Nathan; Netherton, Jason |
Community at the extremes: The death metal underground as being-in-common |
2016 |
Metal Music Studies |
2 |
341-356 |
|
|
|
Sellheim, Nikolas P.; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana |
‘The rage of the Northmen’: Extreme metal and North-motivated violence |
2018 |
The Polar Record |
54 |
339-348 |
|
|
|
Foltyn, Rafal |
Wilkołactwo w tekstach, nazewnictwie i przesłaniu europejskich zespołów metalowych |
2016 |
Kultura rocka 2. Słowo, dźwięk, performance (2) |
|
339-358 |
|
|
|
Ryynänen, Toni; Heinonen, Visa |
Digging The Roots Of Modern Heavy Metal: Rockers And Mods As Music Related Subcultures Of Consumption |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
337-346 |
|
|
|
Gamble, Steven |
Breaking down the breakdown in twenty-first-century metal |
2019 |
Metal Music Studies |
5 |
337-354 |
|
|
|
Kopanski, Reinhard |
”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony |
2020 |
Metal Music Studies |
6 |
337-357 |
|
|
|
Heesch, Florian |
Die wilde Jagd als Identitätskonstruktion im Black Metal |
2011 |
Eddische Götter und Helden. Milieus und Medien ihrer Rezeption |
|
335-366 |
|
|
|
Chiu, Hsiang; de Seta, Gabriele |
Headbanging in Taiwan |
2017 |
Metal Music Studies |
3 |
335-343 |
|
|
|
Hansen, Christine Hall; Hansen, Ranald D. |
Constructing Personality and Social Reality Through Music: Individual Differences Among Fans of Punk and Heavy Metal Music |
1991 |
Journal of Broadcasting & Electronic Media; Philadelphia |
35 |
335 |
|
|
|
Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
|
