| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Kahn-Harris, Keith |
Landfill Metal: The Ironies Of Mediocrity |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
434-444 |
|
|
|
Hannan, Calder |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
2018 |
Metal Music Studies |
4 |
433-458 |
|
|
|
Trummer, Manuel |
Zerstörer, Trickster, Aufklärer. Die Traditionsfigur Teufel im Heavy Metal zwischen Action, Distinktion und neuer Spiritualität |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
431-443 |
|
|
|
Snell, Dave; Hodgetts, Darrin |
Heavy Metal, identity and the social negotiation of a community of practice |
2007 |
Journal of Community & Applied Social Psychology |
17 |
430-445 |
|
|
|
Kosek, Jalub |
Rock’n’rollowa biala goraczka – o kreacji artystycznel grupy Motörhead w czterdziesta rocznice dzialalnosci |
2019 |
Kultura rocka 1. Twórcy, tematy, motywy |
|
429-438 |
|
|
|
Kennedy, Lewis |
The Symbiotic Relationship Between Metal And Hardcore In The 21st Century |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
424-433 |
|
|
|
Arnett, Jeffrey |
Three profiles of heavy metal fans: A taste for sensation and a subculture of alienation |
1993 |
Qualitative Sociology |
16 |
423-443 |
|
|
|
Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
|
|
|
Kummer, Jenna |
‘I Remember You’: Exploring glam metal’s re-emergence in contemporary metal music markets |
2017 |
Metal Music Studies |
3 |
421-436 |
|
|
|
Quinn, Kate |
Heavy metal music and managing mental health: Heavy Metal Therapy |
2019 |
Metal Music Studies |
5 |
419-424 |
|
