| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Martínez, Susana González |
Enseñar a transgredir: Metal feminista, a través de la investigación-acción participativa, como herramienta artística de liberación y pedagógica en el aula |
2023 |
|
|
528 |
|
|
|
Laaksonen, Laura |
The Impact Of A Local Community Of Practice On New Venture Internationalization: A Case Study Of The Finnish Heavy Metal Music Scene |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
521-531 |
|
|
|
Bujalka, Eva |
KVLTER than thou: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’ |
2019 |
Popular Music; Cambridge |
38 |
518-537 |
|
|
|
Foltyn, Rafal |
Wilkołactwo w tekstach, nazewnictwie i przesłaniu europejskich zespołów metalowych |
2019 |
Kultura rocka 2. Słowo, dźwięk, performance |
|
517-534 |
|
|
|
Granholm, Kennet |
“Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music |
2011 |
Numen |
58 |
514-544 |
|
|
|
Sipilä, Eero |
Unique Roots Of Finnish Metal? Nationality And Commerciality In The History Of Finnish Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
512-520 |
|
|
|
Sellheim, Nikolas |
Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic |
2016 |
The Polar Record |
52 |
509-517 |
|
|
|
Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
|
|
|
Niebling, Laura |
Horns Up, Peter Pan! Narrating Modern Metal Rockumentaries |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
503-511 |
|
|
|
Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
|
