| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Recours, Robin; Aussaguel, François; Trujillo, Nick |
Metal Music and Mental Health in France |
2009 |
Culture, Medicine and Psychiatry; New York |
33 |
473-488 |
|
|
|
Mendelyte, Atene |
The Still, Sad Music of Humanity in Doom Metals Romanticizing Machine |
2017 |
Criticism |
59 |
469-489 |
|
|
|
Wallach, Jeremy |
Global Rock as Postcolonial Soundtrack |
2020 |
The Bloomsbury Handbook of Rock Music Research |
|
469-485 |
|
|
|
Kirsten, Yri |
Black Sabbath Purgatus: Medievalizing heavy metal |
2019 |
Postmedieval; Basingstoke |
10 |
466-481 |
|
|
|
Abraham, Ibrahim |
Innovation And Standardization In Christian Metalcore: The Cultural Influences Of Church And Market |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
465-473 |
|
|
|
Berger, Harris M. |
The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer |
1997 |
Ethnomusicology; Champaign |
41 |
464-488 |
|
|
|
Coggins, Owen |
Nationalist Black Metal, Black Metal Nation |
2014 |
Writing Difference: Literature, Identity and Nationalism |
|
460-481 |
|
|
|
Jones, Simon |
Kerrang! magazine and the representation of heavy metal masculinities (1981–95) |
2018 |
Metal Music Studies |
4 |
459-480 |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1997 |
The subcultures reader |
|
459-472 |
|
|
|
Winnerling, Tobias |
”The same song and dance”. Kollektiver Individualismus und das Heavy Metal Universe |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
457-476 |
|
