| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
|
|
|
Lucas, Olivia R. |
‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist |
2019 |
Popular Music; Cambridge |
38 |
481-497 |
|
|
|
Bujalka, Eva |
KVLTER than thou: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’ |
2019 |
Popular Music; Cambridge |
38 |
518-537 |
|
|
|
Phillipov, M. |
None so vile? Towards an ethics of Death Metal |
2006 |
Southern Review: Communication, Politics and Culture |
38 |
74-85 |
|
|
|
Mulder, Juul; Bogt, Tom F.M.Ter; Raaijmakers, Quinten A.W.; Gabhainn, Saoirse Nic; Sikkema, Paul |
From death metal to R&B? Consistency of music preferences among Dutch adolescents and young adults |
2009 |
Psychology of Music |
38 |
67-83 |
|
|
|
Varas-Díaz, Nelson; Mendoza, Sigrid; Rivera, Andrés |
La cultura de la música heavy metal como fenómeno social |
2015 |
Boletín Asociación de Psicología de Puerto Rico |
38 |
4-6 |
|
|
|
Arenillas Meléndez, Sara |
Negociaciones de la masculinidad en el heavy español de los ochenta |
2021 |
Feminismo/s |
38 |
261-279 |
|
|
|
Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
|
|
|
Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
|
|
|
Ollivier, Rosalie; Goupil, Louise; Liuni, Marco; Aucouturier, Jean-Julien |
Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? |
2019 |
Music Perception; Berkeley |
37 |
|
|
