| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Umurhan, Osman |
Coda: Some Trends in Metal’s Use of Classical Antiquity |
2019 |
Classical Antiquity in Heavy Metal Music |
|
201-216 |
|
|
|
Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
|
|
|
Vallen, Sam |
’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage |
2019 |
Australian Metal Music |
|
37-54 |
|
|
|
Vestergaard, Vitus |
Medieval Media Transformations and Metal Album Covers |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
21-34 |
|
|
|
Weinstein, Deena |
”This is Spinal Tap” mocks metal and more, a lot more |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Whitting, Samuel; Klimentou, Paige; Rogers, Ian |
‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive |
2019 |
Australian Metal Music |
|
55-70 |
|
|
|
Wicke, Peter |
Rammstein. 100 Seiten |
2019 |
|
|
|
|
|
|
Wróblewski, Michal |
Diabelska poza Glenna Danziga. Perspektywa jungowska |
2019 |
Kultura rocka 1. Twórcy, tematy, motywy |
|
245-255 |
|
|
|
Yalcinkaya, Can; Ahmed, Safdar |
Creeping Sharia: An Extreme Response to Islamophobia |
2019 |
Australian Metal Music |
|
111-128 |
|
|
|
Yang, Zixuan |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
2019 |
|
|
179 |
|
