| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Fletcher, Kris F.B. |
Vergil’s Aeneid and Nationalism in Italian Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
23-52 |
|
|
|
Vestergaard, Vitus |
Medieval Media Transformations and Metal Album Covers |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
21-34 |
|
|
|
Steinken, Woodrow |
Norwegian black metal, transgression and sonic abjection |
2019 |
Metal Music Studies |
5 |
21-33 |
|
|
|
Yépez Aguirre, Jimmy Renzo |
La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 |
2019 |
Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma |
|
21 |
|
|
|
Oldham, Paul ’Nazz’ |
Heavy Metal Kids: A Historiographical Exploration of Australian Proto-Heavy Metal in the 1960s–1970s |
2019 |
Australian Metal Music |
|
19-36 |
|
|
|
Pirenne, Christophe |
Né sous une (très) mauvaise étoile : Une étude de cas dans la réception de la New Wave of British Heavy Metal |
2019 |
Volume! La revue des musiques populaires |
15:2 |
15-23 |
|
|
|
Hellrich, Johannes; Rzymski, Christoph; Vestergaard, Vitus |
The Trans-Medial Fight for Glory |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
13-20 |
|
|
|
Guibert, Gérôme |
Le heavy metal comme cas limite |
2019 |
Volume! La revue des musiques populaires |
15:2 |
7-12 |
|
|
|
Bolay, Jordan |
‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost |
2019 |
Metal Music Studies |
5 |
5-20 |
|
|
|
Susino, Marco; Schubert, Emery |
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics |
2019 |
Empirical Musicology Review |
14 |
2-15 |
|
