| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Hoad, Catherine |
Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? |
2019 |
Australian Metal Music |
|
1-18 |
|
|
|
Fletcher, Kris F.B.; Umurhan, Osman |
Introduction: Where Metal and Classics Meet |
2019 |
Classical Antiquity in Heavy Metal Music |
|
1-22 |
|
|
|
Barratt-Peacock, Ruth; Hagen, Ross (eds) |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
2019 |
|
|
|
|
|
|
Fletcher, Kris; Umurhan, Osman (eds) |
Classical Antiquity in Heavy Metal Music |
2019 |
|
|
|
|
|
|
Pérez Pelayo, Marisol |
The role of Musicking and the body in the Metal community of Guadalajara México. How does bonding through Metal music enable new kinship and friendship structures |
2019 |
|
|
|
|
|
|
Hoad, Catherine (ed) |
Australian Metal Music |
2019 |
|
|
|
|
|
|
Galicia Poblet, Fernando (ed) |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
2019 |
|
|
|
|
|
|
Krause, André |
2 Minutes to Midnight? Der Umgang mit den Themen Gesellschaft, Politik und Krieg in den Lyrics von Iron Maiden |
2019 |
|
|
|
|
|
|
Rekedal, Jacob |
Martyrdom and Mapuche Metal: Defying Cultural and Territorial Reductions in Twenty-First-Century Wallmapu |
2019 |
Ethnomusicology |
63 |
|
|
|
|
Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
|
