| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Secord, Jared |
Occult and Pulp Visions of Greece and Rome in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
155-172 |
|
|
|
Rubio, Salva |
Metal viejo: «lentamente nos pudrimos», o metal extremo y senectud |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
155-182 |
|
|
|
Olavarría Ginocchio, Ricardo |
Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) |
2019 |
|
|
153 |
|
|
|
Hoffin, Kevin |
”Sans compassion nor will to answer whoever asketh the why”: Personal sovereignty within black metal |
2019 |
Metal Music Studies |
5 |
151-162 |
|
|
|
Hagen, Ross |
Obsequiae: Reconciling ’Authentic’ Medieval Musical Styles with Metal |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
145-156 |
|
|
|
Spracklen, Karl |
Afterword. Being Metal, Being Australian? Reflections and an Afterword |
2019 |
Australian Metal Music |
|
145-148 |
|
|
|
García-Peinazo, Diego |
Héroes frigios, nación y distorsión. La batalla por la supertónica descendida como signo musical en el metal español |
2019 |
Cuadernos de Música Iberoamericana |
32 |
137-157 |
|
|
|
Barratt-Peacock, Ruth; Hagen, Ross; Gardenour Walter, Brenda S. |
Finding the Past in the Present and the Present in the Past |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
137-144 |
|
|
|
Eischeid, Susanne A.; Kneer, Julia; Englich, Birte |
Peace of mind: The impact of metal gestures on stress and power |
2019 |
Metal Music Studies |
5 |
137-150 |
|
|
|
Coggins, Owen |
Imaginaries of spirituality, violence and health impacts in metal music: A critical history and case study |
2019 |
Approaches: A Journal of Music Therapy |
11 |
134-149 |
|
