| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Epp, André |
The mosh pit – An area for excess or a place of learning? |
2019 |
Metal Music Studies |
5 |
107-114 |
|
|
|
Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
|
|
|
Saguar García, Amaranta |
The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal |
2019 |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
|
93-106 |
|
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
|
|
Zenerian, Eleftherios |
Vinyl records, metal fandom and fan labour: Productions and exchanges at the intersection of the cultural and financial economies |
2019 |
Metal Music Studies |
5 |
89-106 |
|
|
|
Coggins, Owen |
Ritual Sacrifice in the Music and Noise of a Metal Festival |
2019 |
Riffs: Experimental Writing on Popular Music Studies |
3 |
85-109 |
|
|
|
Boyarin, Shamma |
The New Metal Medievalism: Alexander the Great, Islamic historiography and Nile’s ”Iskander Dhul Kharnon” |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
81-92 |
|
|
|
Castaños, Mikel Peregrina |
Hidden Rituals, Secret Powers And Everlasting Horrors: The Presence Of Lovecraftian Imaginary in Spanish Recent Extreme Metal / Ritos arcanos, poderes ocultos y horrores intemporales: la presencia del imaginario lovecraftiano en el metal extremo español reciente |
2019 |
Brumal : Revista de Investigación sobre lo Fantástico = Research Journal on the Fantastic; Bellaterra |
7 |
81-105 |
|
|
|
Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
|
|
|
Galicia Poblet, Fernando |
Defensores de la fe: autenticidad, identidad y heavy metal en el siglo XXI |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
77-110 |
|
