| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Secord, Jared |
Occult and Pulp Visions of Greece and Rome in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
155-172 |
|
|
|
Rubio, Salva |
Metal viejo: «lentamente nos pudrimos», o metal extremo y senectud |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
155-182 |
|
|
|
Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
|
|
|
Skelchy, Russell P. |
Worshippers of the sugarcane fields: Agrarian politics, symbolic inversion and black metal in Indonesia |
2019 |
Metal Music Studies |
5 |
163-186 |
|
|
|
Gardenour Walter, Brenda S. |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
171-180 |
|
|
|
Olabarria, Leire |
“When the Land was Milk and Honey and Magic was Strong and True”: Edward Said, Ancient Egypt, and Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
173-200 |
|
|
|
Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
|
|
|
Yang, Zixuan |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
2019 |
|
|
179 |
|
|
|
Kosek, Jakub |
O wybranych aspektach badań (auto)biograficznych narracji transmedialnych twórców rockowych (casus Johna Ozzy‘ego Osbourne‘a) |
2019 |
Kultura rocka 2. Słowo, dźwięk, performance |
|
181-192 |
|
|
|
Olivares Merino, Julio Ángel |
Un bosque ignoto: Die Kunst Der Finsternis y las sombras de intertextualidad gótico-expresionista |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
183-214 |
|
