| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Vallen, Sam |
’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage |
2019 |
Australian Metal Music |
|
37-54 |
|
|
|
Olabarria, Leire |
“When the Land was Milk and Honey and Magic was Strong and True”: Edward Said, Ancient Egypt, and Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
173-200 |
|
|
|
Savigny, Heather; Sleight, Sam |
”Bück Dich”: Rammstein in Amerika and the subversion of masculinized sexuality |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Losse, Michael |
”Dark Fortress”, eine ”düstere, uneinnehmbare Festung, ... Zufluchtsort vor der feindlichen Welt”: das Bild der Burg in der (Heavy-)Metal-Kultur zwischen Eskapismus, Romantisierung und Wissenschaftlichkeit |
2019 |
Die Burg im Bild – Das Bild der Burg |
|
186-198 |
|
|
|
Klypchak, Brad |
”Dio can you hear me?”: kitsch, camp, nostalgia and Tenacious D |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Hoffin, Kevin |
”Sans compassion nor will to answer whoever asketh the why”: Personal sovereignty within black metal |
2019 |
Metal Music Studies |
5 |
151-162 |
|
|
|
Weinstein, Deena |
”This is Spinal Tap” mocks metal and more, a lot more |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Spanu, Michael |
De Trust ? Gojira, une brève histoire du metal français au prisme des langues hurlées |
2019 |
Volume! La revue des musiques populaires |
15:2 |
37-55 |
|
|
|
Lesourd, Élodie; Guesde, Catherine; Guibert, Gérôme |
Élodie Lesourd, Black metal et art contemporain : pour une migration des symboles |
2019 |
Volume! La revue des musiques populaires |
15:2 |
71-89 |
|
|
|
Guibert, Gérôme |
Le heavy metal comme cas limite |
2019 |
Volume! La revue des musiques populaires |
15:2 |
7-12 |
|
