| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Rubio, Salva |
Metal viejo: «lentamente nos pudrimos», o metal extremo y senectud |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
155-182 |
|
|
|
Barone, Stefano |
Metal, rap, and electro in post-revolutionary Tunisia : a fragile underground |
2019 |
|
|
|
|
|
|
Copilaș, Emanuel |
Negative determinations of intellect: A Hegelian critique of Slayer’s phenomenology |
2019 |
Metal Music Studies |
5 |
71-87 |
|
|
|
Susino, Marco; Schubert, Emery |
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics |
2019 |
Empirical Musicology Review |
14 |
2-15 |
|
|
|
Tolis, Sakis; Patterson, Dayal |
Non serviam: oficiální historie Rotting Christ |
2019 |
|
|
|
|
|
|
Steinken, Woodrow |
Norwegian black metal, transgression and sonic abjection |
2019 |
Metal Music Studies |
5 |
21-33 |
|
|
|
Kosek, Jakub |
O wybranych aspektach badań (auto)biograficznych narracji transmedialnych twórców rockowych (casus Johna Ozzy‘ego Osbourne‘a) |
2019 |
Kultura rocka 2. Słowo, dźwięk, performance |
|
181-192 |
|
|
|
Hagen, Ross |
Obsequiae: Reconciling ’Authentic’ Medieval Musical Styles with Metal |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
145-156 |
|
|
|
Secord, Jared |
Occult and Pulp Visions of Greece and Rome in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
155-172 |
|
|
|
Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
|
