| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
|
|
Yalcinkaya, Can; Ahmed, Safdar |
Creeping Sharia: An Extreme Response to Islamophobia |
2019 |
Australian Metal Music |
|
111-128 |
|
|
|
Collinson, Ian |
‘This is the Funeral of the Earth’: The ‘Dead-end’ Environmental Discourses of Australian Ecometal |
2019 |
Australian Metal Music |
|
129-144 |
|
|
|
Spracklen, Karl |
Afterword. Being Metal, Being Australian? Reflections and an Afterword |
2019 |
Australian Metal Music |
|
145-148 |
|
|
|
Fletcher, Kris F.B.; Umurhan, Osman |
Introduction: Where Metal and Classics Meet |
2019 |
Classical Antiquity in Heavy Metal Music |
|
1-22 |
|
|
|
Fletcher, Kris F.B. |
Vergil’s Aeneid and Nationalism in Italian Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
23-52 |
|
|
|
Taylor, Matthew |
Eternal Defiance: Celtic Identity and the Classical Past in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
53-76 |
|
|
|
Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
|
|
|
Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
|
|
|
Crofton-Sleigh, Lissa |
Heavy Metal Dido: Heimdall’s “Ballad of the Queen” |
2019 |
Classical Antiquity in Heavy Metal Music |
|
115-130 |
|
