| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Lilja, Esa |
Harmonic function and modality in classic heavy metal 1 |
2019 |
Metal Music Studies |
5 |
355-378 |
|
|
|
St-Laurent, Méi-Ra |
‘Ancien folklore québécois’: An analysis of the phonographic and identity-based narrative of the métal noir québécois community |
2019 |
Metal Music Studies |
5 |
379-399 |
|
|
|
Coggins, Owen |
Distortion, restriction and instability: Violence against the self in depressive suicidal black metal |
2019 |
Metal Music Studies |
5 |
401-418 |
|
|
|
Quinn, Kate |
Heavy metal music and managing mental health: Heavy Metal Therapy |
2019 |
Metal Music Studies |
5 |
419-424 |
|
|
|
Fletcher, Kris F.B.; Umurhan, Osman |
Introduction: Where Metal and Classics Meet |
2019 |
Classical Antiquity in Heavy Metal Music |
|
1-22 |
|
|
|
Fletcher, Kris F.B. |
Vergil’s Aeneid and Nationalism in Italian Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
23-52 |
|
|
|
Taylor, Matthew |
Eternal Defiance: Celtic Identity and the Classical Past in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
53-76 |
|
|
|
Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
|
|
|
Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
|
|
|
Crofton-Sleigh, Lissa |
Heavy Metal Dido: Heimdall’s “Ballad of the Queen” |
2019 |
Classical Antiquity in Heavy Metal Music |
|
115-130 |
|
