| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Blessin, Joseph R. |
Modalities of the avant-garde: the aesthetic role of light in the parallax of Alexander Scriabin’s opera ”Mysterium” and heavy metal performance |
2010 |
The metal void: first gatherings |
|
301-330 |
|
|
|
Jamshid, Jon; Patterson, Dayal |
Petrified: Under the Full Moon |
2024 |
|
|
|
|
|
|
Lucas, Olivia R. |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
2021 |
Music Theory Online |
27 |
s.p. |
|
|
|
Lucas, Olivia R. |
Light Shows as Public, Vernacular Music Theory |
2021 |
The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory |
|
s.p. |
|
|
|
Torres-Hergueta, Enrique |
Lyrics as memory: Recontextualizing the Germanic heroic tradition in heavy metal |
2026 |
Metal Music Studies |
12 |
161-179 |
|
