| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Baulch, Emma |
Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene |
2003 |
Popular Music; Cambridge |
22 |
195-215 |
|
|
|
Bujalka, Eva |
KVLTER than thou: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’ |
2019 |
Popular Music; Cambridge |
38 |
518-537 |
|
|
|
Burns, Robert G.H. |
German symbolism in rock music: national signification in the imagery and songs of Rammstein |
2008 |
Popular Music; Cambridge |
27 |
457-472 |
|
|
|
Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
|
|
|
Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
|
|
|
Kieran, James; Walsh, Rex |
Religion and heavy metal music in Indonesia |
2019 |
Popular Music; Cambridge |
38 |
276-297 |
|
|
|
Lucas, Olivia R. |
‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist |
2019 |
Popular Music; Cambridge |
38 |
481-497 |
|
|
|
Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1992 |
Popular Music; Cambridge |
11 |
263 |
|
