| |
Records |
Links |
|
Author |
Hannan, CalderCalder |
|
| |
Title |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
Type |
Journal Article |
| |
Year |
2022 |
Publication |
Music Theory Online |
Abbreviated Journal  |
|
|
| |
Volume |
28 |
Issue |
1 |
Pages |
s.p. |
|
| |
Keywords |
Musicology; Death metal; Anomalous (band) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2382 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
Light Shows as Public, Vernacular Music Theory |
Type |
Book Chapter |
| |
Year |
2021 |
Publication |
The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
s.p. |
|
| |
Keywords |
Concert Lightning |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Oxford University Press |
Place of Publication |
Oxford |
Editor |
Jenkins, J. Daniel |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2383 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
Type |
Journal Article |
| |
Year |
2021 |
Publication |
Music Theory Online |
Abbreviated Journal |
|
|
| |
Volume |
27 |
Issue |
4 |
Pages |
s.p. |
|
| |
Keywords |
Concert Lightning |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2384 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
Type |
Book Whole |
| |
Year |
2016 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Extreme metal; Loudness; Complexity; Musicology; Theory |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
Harvard University |
Place of Publication |
Cambridge |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2385 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Lucas, Olivia R. |
|
| |
Title |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
Type |
Journal Article |
| |
Year |
2021 |
Publication |
Popular Music |
Abbreviated Journal |
|
|
| |
Volume |
40 |
Issue |
2 |
Pages |
263-280 |
|
| |
Keywords |
Alien Weaponry (band); Maori metal; Language; Identity; Nationhood |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
0261-1430 |
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2386 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
|
| |
Title |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
Type |
Journal Article |
| |
Year |
2022 |
Publication |
Trans: Revista Transcultural de Música |
Abbreviated Journal |
|
|
| |
Volume |
26 |
Issue |
|
Pages |
1-16 |
|
| |
Keywords |
Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) |
|
| |
Abstract |
El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género.
[The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
SIBE: Sociedad de Etnomusicología |
Place of Publication |
Barcelona, España |
Editor |
|
|
| |
Language |
español |
Summary Language |
English |
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
1697-0101 |
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. |
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2387 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Varas-Díaz, Nelson |
|
| |
Title |
El Sur Distorsionado como un cambio paradigmático para el metal y su estudio |
Type |
Journal Article |
| |
Year |
2022 |
Publication |
Lenguas Radicales |
Abbreviated Journal |
|
|
| |
Volume |
1 |
Issue |
4 |
Pages |
28-41 |
|
| |
Keywords |
Global South; Non-Western scenes; Decolonisation |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2388 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Sandoval Trigo, Germán Medardo |
|
| |
Title |
Derecho y heavy metal: Fiat iustitia, et pereat mundus |
Type |
Journal Article |
| |
Year |
2022 |
Publication |
Lenguas Radicales |
Abbreviated Journal |
|
|
| |
Volume |
1 |
Issue |
4 |
Pages |
19-27 |
|
| |
Keywords |
Postcolonialism; Global South; Non-Western scenes; Kaiowas (band); Ratos de Porão (band); Sepultura (band) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2389 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Koplow Villavicencio, Jan |
|
| |
Title |
Más que gritos y distorsión: el metal chileno ante la crisis ecológica y el modelo económico extractivista |
Type |
Journal Article |
| |
Year |
2022 |
Publication |
Lenguas Radicales |
Abbreviated Journal |
|
|
| |
Volume |
1 |
Issue |
4 |
Pages |
42-51 |
|
| |
Keywords |
Ecometal; Ecology; Chile |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2390 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
González Hernández , José Omar |
|
| |
Title |
Imaginarios de la maldad. El espacio como perpetrador en el goregrind mexicano |
Type |
Journal Article |
| |
Year |
2022 |
Publication |
Lenguas Radicales |
Abbreviated Journal |
|
|
| |
Volume |
1 |
Issue |
4 |
Pages |
52-60 |
|
| |
Keywords |
Goregrind; Mexico; Violence; Noise; Abjection |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2391 |
|
| Permanent link to this record |
