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Author |
Somoza, Jimena Mabel |
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Title |
Hospitalarias realidades: Desarme de corporalidades metaleras a través de la Medicina y las Ciencias Naturales |
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Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
Issue |
1 |
Pages |
22-23 |
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Jimena Mabel Somoza es egresada del Profesorado de Cs. Naturales perteneciente al Instituto Superior de Profesorado “Dr. Joaquín V. González”. Especialista Superior en Ed. Sexual. Colaboró en el libro Ideas para el aula de Meinardi, Elsa y Mateu, Marina (compiladoras).
Especialista en Docencia de Nivel Secundario, egresada del CITEP (UBA). Diplomada en Intervenciones Pedagógicas en Contexto de Encierro de la UNSAM y Especialista Superior en Políticas de la Infancia del Instituto Superior de Profesorado N°2 “Mariano Acosta”.
Maestranda en Educación en Ciencias Experimentales y Tecnología, FCEFyN (UNC), también cursa la Maestría y Doctorado en Estudios y Políticas de Género en la UNTREF. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic, Argentine Republic |
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español |
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2953-3805 |
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https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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INTech @ brianhickam2019 @ |
Serial |
2381 |
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Author |
Hannan, CalderCalder |
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Title |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
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Journal Article |
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Year |
2022 |
Publication |
Music Theory Online |
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Volume |
28 |
Issue |
1 |
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s.p. |
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Keywords |
Musicology; Death metal; Anomalous (band) |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2382 |
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Author |
Lucas, Olivia R. |
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Title |
Light Shows as Public, Vernacular Music Theory |
Type |
Book Chapter |
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Year |
2021 |
Publication |
The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory |
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Concert Lightning |
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Oxford University Press |
Place of Publication |
Oxford |
Editor |
Jenkins, J. Daniel |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2383 |
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Author |
Lucas, Olivia R. |
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Title |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
Type |
Journal Article |
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Year |
2021 |
Publication |
Music Theory Online |
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Volume |
27 |
Issue |
4 |
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s.p. |
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Concert Lightning |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2384 |
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Author |
Lucas, Olivia R. |
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Title |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
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Book Whole |
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Year |
2016 |
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Extreme metal; Loudness; Complexity; Musicology; Theory |
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Ph.D. thesis |
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Harvard University |
Place of Publication |
Cambridge |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2385 |
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Author |
Lucas, Olivia R. |
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Title |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
Type |
Journal Article |
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Year |
2021 |
Publication |
Popular Music |
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Volume |
40 |
Issue |
2 |
Pages |
263-280 |
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Keywords |
Alien Weaponry (band); Maori metal; Language; Identity; Nationhood |
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ISSN |
0261-1430 |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2386 |
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Author |
Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
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Title |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
Type |
Journal Article |
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Year |
2022 |
Publication |
Trans: Revista Transcultural de Música |
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Volume |
26 |
Issue |
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Pages |
1-16 |
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Keywords |
Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) |
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El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género.
[The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
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SIBE: Sociedad de Etnomusicología |
Place of Publication |
Barcelona, España |
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español |
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English |
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ISSN |
1697-0101 |
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Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2387 |
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Author |
Varas-Díaz, Nelson |
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Title |
El Sur Distorsionado como un cambio paradigmático para el metal y su estudio |
Type |
Journal Article |
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Year |
2022 |
Publication |
Lenguas Radicales |
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Volume |
1 |
Issue |
4 |
Pages |
28-41 |
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Keywords |
Global South; Non-Western scenes; Decolonisation |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2388 |
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Author |
Sandoval Trigo, Germán Medardo |
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Title |
Derecho y heavy metal: Fiat iustitia, et pereat mundus |
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Journal Article |
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Year |
2022 |
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Lenguas Radicales |
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1 |
Issue |
4 |
Pages |
19-27 |
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Postcolonialism; Global South; Non-Western scenes; Kaiowas (band); Ratos de Porão (band); Sepultura (band) |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2389 |
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Author |
Koplow Villavicencio, Jan |
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Title |
Más que gritos y distorsión: el metal chileno ante la crisis ecológica y el modelo económico extractivista |
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Journal Article |
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Year |
2022 |
Publication |
Lenguas Radicales |
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Volume |
1 |
Issue |
4 |
Pages |
42-51 |
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Keywords |
Ecometal; Ecology; Chile |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2390 |
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