| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Sarelin, Mikael |
Masculinities within black metal: heteronormativity, protest masculinity or queer? |
2010 |
The metal void: first gatherings |
|
61-70 |
|
|
|
Sarelin, Mikael |
Masculinities within black metal: heteronormativity, protest masculinity or queer? |
2012 |
Reflections in the Metal Void |
|
69-88 |
|
|
|
Scienza, Roberto |
O antipátria: ensaio de uma transvaloração dos valores no Black Metal |
2021 |
Diálogos com a música extrema |
|
153-220 |
|
|
|
Sciscione, Anthony |
”Goatsteps Behind My Steps...”: Black Metal and Ritual Renewal |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
171-178 |
|
|
|
Scott, Niall W.R. |
Black Confessions and Absu-lution |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
221-230 |
|
|
|
Scott, Niall; Shakespeare, Steven |
The swarming logic of inversion and the elevation of Satan |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
1-12 |
|
|
|
Seidl, Roman |
Ideologie im Black Metal: eine psychologische Analyse zu Neuheidentum und rechtsextremer Gesinnung |
2008 |
|
|
|
|
|
|
Seifert, Amelia-Roísín; Murray, Kevin |
Wolves in the Throne Room: Time, Autochthony and Transcendence in Contemporary (Post)-Black Metal |
2012 |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
|
89-101 |
|
|
|
Seixas, Luana Cristina |
Metal Extremo: Est??Tica pesada” No Black Metal |
2018 |
|
|
|
|
|
|
Sellam, Michaël |
Dead body of a performance |
2016 |
Helvete: A Journal of Black Metal Theory |
3 |
41-48 |
|
