| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Snaza, Nathan |
Leaving the self behind |
2016 |
Helvete: A Journal of Black Metal Theory |
3 |
81-98 |
|
|
|
Hoffin, Kevin |
Decay as a black metal symbol |
2018 |
Metal Music Studies |
4 |
81-94 |
|
|
|
Höpflinger, Anna-Katharina |
”Sakralkommunist”. Die religiös-politische Bricolage im Schweizer Black Metal |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
77-88 |
|
|
|
Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
|
|
|
Manea, Irina-Maria |
Interludium: Die völkische Dimension des Black Metal |
2016 |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
|
75-82 |
|
|
|
Jones, Ieuan |
Black Metal and the Rebirth of the ‘Monstrous’ in Norway |
2013 |
Global Interdisciplinary Research Studies |
3 |
75-92 |
|
|
|
Lesouooijenrd, Erik van |
Giving life harmoniously: animal inversion in Cattle Decapitation |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
73-93 |
|
|
|
Jalang, Bagus |
Distraction |
2016 |
Helvete: A Journal of Black Metal Theory |
3 |
73-80 |
|
|
|
Korczyński, Tomasz Michał |
The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects |
2021 |
Journal of Modern Science |
46 |
73-91 |
|
|
|
Frangioni, Tommaso; Masina, Filippo; Pieroni, Giulio; Venturella, Mario |
Son(g)s of Darkness: Identities in Italian Black Metal |
2018 |
Sounds of origin in heavy metal music |
|
71-94 |
|
