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Author |
Spracklen, Karl |
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Title |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
Type |
Journal Article |
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Year |
2020 |
Publication |
Metal Music Studies |
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6 |
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1 |
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71-86 |
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Keywords |
Paganism; Folk; Extreme Metal; Atlantean Kodex |
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2052-3998, 2052-4005 |
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UCM - CAM @ amaranta.saguar.garcia @ spracklen_wicker_2020 |
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637 |
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Author |
Karjalainen, Toni-Matti; Tienari, Janne |
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Title |
Lemmy Kilmister and milk from Finland: On remembering, online spaces and corporate branding |
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Journal Article |
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Year |
2020 |
Publication |
Metal Music Studies |
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6 |
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1 |
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49-69 |
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Media; Branding |
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2052-3998, 2052-4005 |
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UCM - CAM @ amaranta.saguar.garcia @ karjalainen_lemmy_2020 |
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636 |
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Author |
Hoffin, Kevin |
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Title |
Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal |
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Journal Article |
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Year |
2020 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
6 |
Issue |
1 |
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27-48 |
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Black Metal; Adolescent psychology; Globalization |
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2052-3998, 2052-4005 |
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UCM - CAM @ amaranta.saguar.garcia @ hoffin_glocalization_2020 |
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635 |
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Author |
Hillier, Benjamin |
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Title |
Considering genre in metal music |
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Journal Article |
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Year |
2020 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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6 |
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1 |
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5-26 |
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2052-3998, 2052-4005 |
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UCM - CAM @ amaranta.saguar.garcia @ hillier_considering_2020 |
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634 |
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Author |
Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
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Title |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
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Journal Article |
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Year |
2020 |
Publication |
Logos |
Abbreviated Journal |
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27 |
Issue |
3 |
Pages |
s. p. |
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Keywords |
Afropessimism; Angola; Deconolization; Africa; Documentary film; Death metal |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2473 |
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Author |
Miranda Bonilla, Sergio |
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Title |
La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización |
Type |
Journal Article |
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Year |
2020 |
Publication |
Estudios sobre las culturas contemporáneas |
Abbreviated Journal |
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26 |
Issue |
52 |
Pages |
69-92 |
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Theology; Religion; Identity; Spirituality |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2028 |
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Author |
Ortiz Cora, Laila Eréndira |
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Title |
La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock |
Type |
Journal Article |
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Year |
2020 |
Publication |
Estudios sobre las culturas contemporáneas |
Abbreviated Journal |
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Volume |
26 |
Issue |
52 |
Pages |
93-109 |
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Keywords |
Extreme Metal; Violence |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2029 |
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Author |
Castillo Bernal, Stephen |
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Title |
¡Invierte la cruz invertida! Primeras apreciaciones sobre el metal cristiano mexicano. |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Etnomusicología y globalización: Dinámicas cosmopolitas de la música popular. |
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Pages |
113-134 |
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Keywords |
Análisis etnográfico, simbólico e imaginario sobre el metal cristiano en México; Etnomusicología; Música–Aspectos sociales–México; Música y globalización–Aspectos sociales-México; Música popular mexicana–Aspectos sociales. |
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Abstract |
El heavy metal es un movimiento cultural que inició en la década de 1970. Este estilo musical periférico ha sido estigmatizado por gran parte de la sociedad, tachándolo de simple, de burdo, de satánico (Christe, 2004). De la misma forma, se ha estereotipado a sus fanáticos, dando por supuesto que se trata de drogadictos o delincuentes (Singer, Levi y Jou, 1993). Y, sin embargo, el heavy metal sigue siendo uno de los referentes musicales más socorridos entre las juventudes contemporáneas (Santos, 2016). Algo característico de esta escena musical, independientemente del subgénero, es su asociación con temas transgresores. El más característico es el cuestionamiento de los metarrelatos, como la religión judeocristiana o la política. A pesar de que existen muchas propuestas ideológicas, musicales y vocales dentro del heavy metal, el tocar temas tabú de la sociedad es algo fundamental de este género musical, por lo cual muchos jóvenes, en su época contestataria y rebelde, lo adoptan, casi siempre para no abandonarlo nunca más.
En este trabajo delinearé parte de los cimientos del heavy metal cristiano. Esta vertiente del heavy metal, a pesar de encontrarse dentro del movimiento planetario metalero, se estructura en función de su filiación cristiana, esto es, sus líricas aluden a Dios, a sus hazañas en la Tierra y a la lucha contra los pecados y la maldad del mundo. Pareciera ser que este tipo de ideología es impensable en el mundo del heavy metal, sobre todo porque éste se ha asociado erróneamente con el satanismo y con los temas tabú. Sin embargo, la música en sí misma del metal cristiano es transgresora, ya que las agrupaciones de este subgénero pueden especializarse en death, power, thrash o doom, o incluso en black metal, con sonidos y vocales que, definitivamente, alguien que no sea partícipe del movimiento lo tacharía de satánico.
Este trabajo será apuntalado mediante la mirada etnográfica realizada en el pasado XV Éxodo Metal Fest, festival musical celebrado en la montaña de La Malinche, en Tlaxcala, en abril de 2017. Este evento de metal al aire libre congrega a diferentes bandas de metal cristiano y a diversos seguidores del movimiento espiritual. Las pautas identitarias de los músicos, de los fans y de los organizadores serán utilizadas para perfilar un estudio más profundo de un movimiento que, desde mi punto de vista, constituye otra representación underground de lo underground. |
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El Colegio de la Frontera Norte (El Colef) |
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Tijuana, Baja California, México |
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Coordinación editorial: Érika Moreno Páez |
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español |
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Olmos Aguilera, Miguel (coordinator) |
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978-607-479-348-2 |
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INTech @ brianhickam2019 @ |
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2406 |
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Author |
Szpajdel, Christophe |
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Title |
Archaic Modernism: The Art of Christophe Szpajdel |
Type |
Book Whole |
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Year |
2020 |
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252 |
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“Christophe's work is extremely sought after, and it has now gained interest from clients outside the metal scene. By far one of the most prolific but also the furthest reaching artist with now around 10,000 logos completed to date. Art Deco and Art Nouveau are the real sources of inspiration, exploring the abyss of imagination in crafting a logo and at the same time, aesthetically pleasant, attractive and functional. 'Archaic Modernism' takes a journey into the artist visual universe and philosophy, accompanied by the works of Stanislav Krawczyk.” |
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Heavy Music Artwork, PO Box 5778, Sevenoaks, TN13 9RW, UK |
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Heavy Music Artwork |
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UK |
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English |
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9781800490413, 1800490410 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2471 |
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Author |
Mudrian, Albert (ed) |
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Title |
The Decibel Hall of Fame Anthology: Volume III |
Type |
Book Whole |
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Year |
2020 |
Publication |
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364 |
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Keywords |
Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath. |
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Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums.
In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover. |
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dB Books |
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Mudrian, Albert |
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English |
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INTech @ brianhickam2019 @ |
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2275 |
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