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Baez, Christian |
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Title |
Metal Andino Guitarras, Bajo y Batería en los Andes (Proyecto documental). |
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Miscellaneous |
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52'24" |
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el heavy metal; la música andina |
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Proyecto documental dirigido por Christian Baez que indaga en los cruces sonoros entre el heavy metal y la música andina. Financiado por el Centro de Estudios Interculturales e Indígenas (CIIR) y producido por el Laboratorio de Antropología Visual (LAV UC). |
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Financiado por el Centro de Estudios Interculturales e Indígenas (CIIR) y producido por el Laboratorio de Antropología Visual (LAV UC) |
Place of Publication |
Cordillera de los Andes |
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Spanish |
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YouTube |
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Subtitles in Spanish available. |
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INTech @ brianhickam2019 @ |
Serial |
2290 |
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Author |
Baltazar, Lídia Maria Ferrão |
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Title |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
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Book Whole |
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Year |
2013 |
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216 |
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Keywords |
Heavy Metal Music, Music Industry, Band Management, Entrepreneurship, Artistic Integrity |
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“The Music Industry is a very complex world that embraces different and broad segments needing of academic exploration. The big majority of studies and/or academic approaches to this unique business world have been focusing greatly on the record labels side but have failed to address the role of those who make the music – the musicians/artists. This is exactly what the present study aimed to understand: What is the role of the musicians in the music business? Aren’t they one of the key elements, essential players, within the whole industry, if not the most important elements ever?
The industry of music includes a large number of creative and wise musicians/bands behind one of the most discriminated music genres in the music history – Heavy Metal Music. However, diverse studies have demonstrated that Heavy Metal is recognized as a music genre that generates profit, with an increasing legion of fans all over the world hence, also considered popular music. Therefore, the purpose of this study is to understand how Heavy Metal Music bands and musicians succeed and how they manage to conciliate artistic creativity and commercial demands. By making a multiple case study analysis within two different settings – Portugal versus Finland – it will be shown that Heavy Metal bands / musicians possess business skills that allow them to manage and conduct both the artistic and business activities of their music business. In some of the cases, it will also be raised their entrepreneurial skills in innovating and finding new ways of reaching the audience and becoming more successful whilst doing what they love the most – making music and playing it live.”
(Source: ProQuest Dissertations Publishing)
Ciências Sociais e Humanas (Social Sciences and Humanities). |
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Doctoral thesis |
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Publisher |
Universidade da Beira Interior |
Place of Publication |
Covilhã, Portugal |
Editor |
Anabela Dinis |
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English |
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Portuguese |
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ProQuest order number 28761469 |
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yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2517 |
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Author |
Davis, Amanda Blake; Sangster, Matthew |
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Title |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
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Journal Article |
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Year |
2023 |
Publication |
European Romantic Review |
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Volume |
34 |
Issue |
3 |
Pages |
291-302 |
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Keywords |
Romanticism (literature); Literature; Epic poetry; Intertextuality |
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1050-9585 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2420 |
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Author |
Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
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Title |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
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Journal Article |
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Year |
2022 |
Publication |
Trans: Revista Transcultural de Música |
Abbreviated Journal |
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Volume |
26 |
Issue |
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Pages |
1-16 |
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Keywords |
Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) |
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El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género.
[The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
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SIBE: Sociedad de Etnomusicología |
Place of Publication |
Barcelona, España |
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español |
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English |
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ISSN |
1697-0101 |
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PDF |
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Notes |
Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2387 |
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Author |
Guibert, Gérôme |
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Title |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
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Book Chapter |
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2018 |
Publication |
Made in France: Studies in Popular Music |
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Pages |
296 |
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Book summary: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. |
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711 Third Avenue, New York, NY 10017 |
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Routledge |
Place of Publication |
New York, NY |
Editor |
Gérôme Guibert, Catherine Rudent |
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English |
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978-1-138-79304 (hbk), 978-1-315-76161 (ebk) |
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paperback, hardback, eBook |
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no |
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INTech @ brianhickam2019 @ |
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2470 |
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Author |
Nink, Theresa; Heesch, Florian |
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Title |
Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs |
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Journal Article |
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Year |
2023 |
Publication |
Arts |
Abbreviated Journal |
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Volume |
12 |
Issue |
1 |
Pages |
38 |
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Keywords |
Gender; Ballad; Sentimentality |
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2076-0752 |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2444 |
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Author |
Morton, Mark; Opipari, Ben |
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Title |
Desolation: A Heavy Metal Memoir |
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Book Whole |
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2024 |
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320 |
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Lamb of God; autobiography; biography; New wave of American heavy metal |
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“A gritty, revealing heavy metal memoir by Lamb of God’s lead guitarist and co-lyricist, which explores both his life in music and his tumultuous path through addiction and into recovery.
DESOLATION is the story of Morton's lifelong quest for clarity and self-acceptance, and shows how the pressures of career success and personal battles eventually came into conflict with Morton's dedication to the creative process. Intertwined with addiction, self-destruction, and the path to eventual surrender and recovery, Morton also reveals the greatest personal tragedy of his life: the death of his two-day old daughter, plunging Morton further into hopelessness. Surrounded by bandmates living their wildest dreams, Morton wanted nothing more than to disappear, ingesting potentially lethal cocktails of drugs and alcohol into his system on a daily basis.
And yet, amidst the harrowing heartbreak, there were moments of triumph, hope, and incredible personal connection. Morton developed close relationships with his bandmates and crew members, sharing experiences that have made for some strange and hilarious tales. He's also gained a greater sense of purpose through interactions with his fans, who remind him that his work reaches people on a deeply personal level. Through the highs and the lows, Morton learns how to find presence and gratitude where he once found fear and resentment, a process that he considers a gift of spiritual awakening.
DESOLATION is, at its core, about Morton's journey as a musician navigating self doubt, anxiety and the progressive disease of addiction, and ultimately finding relative serenity. Perfect for fans, new and old, as well as anyone who has ever been tested and brought to their limits, DESOLATION is a highly-satisfying, full-throttle investigation of the human experience. ”
(source: Hachette Book Group) |
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Hachette Books |
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New York City |
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English |
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0306830981, 978-0306830983 |
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Hardback |
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INTech @ brianhickam2019 @ |
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2523 |
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Author |
Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
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Title |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
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Journal Article |
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Year |
2020 |
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Abbreviated Journal |
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27 |
Issue |
3 |
Pages |
s. p. |
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Keywords |
Afropessimism; Angola; Deconolization; Africa; Documentary film; Death metal |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2473 |
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Author |
Silva, Melina Aparecida dos Santos; Polivanoz, Beatriz |
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Title |
“Mar de camisas pretas”: camisas de bandas como mediadoras de sentidos e experiências na cena do heavy metal |
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Journal Article |
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Year |
2015 |
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Logos |
Abbreviated Journal |
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22 |
Issue |
2 |
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s. p. |
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Keywords |
T-shirts; Sociology; Appearance |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2474 |
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Author |
Herbst, Jan-Peter (ed) |
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Title |
The Cambridge Companion to Metal Music |
Type |
Book Whole |
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Year |
2023 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
320 |
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Keywords |
Heavy metal; Twentieth-Century and Contemporary music; Music: General interest; Music performance |
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Abstract |
“Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com).
“Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/).
Collection: The Cambridge Companions to Music. |
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Cambridge University Press |
Place of Publication |
Cambridge, England |
Editor |
Herbst, Jan-Peter |
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English |
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Cambridge Companions to Music |
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ISBN |
978-1108845861; 978-1108993982; eBook: 9781108991162 |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2463 |
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