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Garza, Jose M. |
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Title |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
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Journal Article |
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Year |
2021 |
Publication |
Music Theory Online |
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27 |
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1 |
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n.p. |
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Musicology |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2078 |
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Author |
Hannan, CalderCalder |
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Title |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
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Journal Article |
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Year |
2022 |
Publication |
Music Theory Online |
Abbreviated Journal |
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28 |
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1 |
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s.p. |
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Keywords |
Musicology; Death metal; Anomalous (band) |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2382 |
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Author |
Hudson, Stephen S. |
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Title |
Compound AABA Form and Style Distinction in Heavy Metal |
Type |
Journal Article |
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Year |
2021 |
Publication |
Music Theory Online |
Abbreviated Journal |
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Volume |
27 |
Issue |
1 |
Pages |
n.p. |
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Keywords |
Musicology |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2083 |
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Author |
Lucas, Olivia R. |
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Title |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
Type |
Journal Article |
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Year |
2021 |
Publication |
Music Theory Online |
Abbreviated Journal |
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Volume |
27 |
Issue |
4 |
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s.p. |
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Keywords |
Concert Lightning |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2384 |
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Author |
Lucas, Olivia R. |
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Title |
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen |
Type |
Journal Article |
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Year |
2018 |
Publication |
Music Theory Online |
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Volume |
24 |
Issue |
3 |
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Keywords |
Musicology; Meshuggah |
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UCM - CAM @ amaranta.saguar.garcia @ lucas_so_2018 |
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894 |
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Author |
McCandless, Gregory R. |
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Title |
Metal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater |
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Journal Article |
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Year |
2013 |
Publication |
Music Theory Online |
Abbreviated Journal |
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Volume |
19 |
Issue |
2 |
Pages |
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Keywords |
Musicology |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ mccandless_metal_2013 |
Serial |
864 |
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