| |
Records |
Links |
|
Author  |
O’Neill, Andrew |
|
| |
Title |
La historia del heavy metal |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Blackie Books |
Place of Publication |
Barcelona |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-84-17059-53-8 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ oneill_historia_2018 |
Serial |
1483 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
O’Neill, Andrew |
|
| |
Title |
Metal o niente |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
History (metal music) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Sperling & Kupfer |
Place of Publication |
Milano |
Editor |
|
|
| |
Language |
ita |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-88-200-6483-9 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ oneill_metal_2018-1 |
Serial |
1835 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Pack, Christian |
|
| |
Title |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
233 |
|
| |
Keywords |
Communication and the arts; Culture; El Salvador; Heavy metal; Humor; International law; Language, Latin America; Literature and linguistics; Obscenities; Philosophy; Politics; Social sciences; Spanish |
|
| |
Abstract |
Heavy Metal in El Salvador has been a driving force of the underground culture since the Civil War in the 1980s. Over time, it has grown into a large movement that encompasses musicians, producers, promoters, media outlets and the international exchange of music, ideas and live shows. As a music based around discontent with society at large, Heavy Metal attempts to question the status quo through an intellectual exploration of taboo subjects and the presentation of controversial live shows. As an international discourse, Heavy Metal speaks to ideas of both socio-political and individual power based around a Philosophy of Life that exalts personal freedoms and personal responsibility to oneself and their society. As a community, it represents a ‘rage’ group, as defined by Peter Sloterdijk, that questions Western epistemologies and the doctrines of Christian Philosophy. This is done in different ways, by different genres, but at the heart is the changing of macro- (international) discourses into micro- (local) discourses that focus on those issues important to the geographic specificity of the region.
In the case of Black Metal, born in Norway, it is interpreted in El Salvador through the similarities between the doctrines of Hitler and those of the most famous dictator in the country’s history – General Maximiliano Hernandez – and then applied, ironically, to the local phenomena of the Salvadoran Street Gangs (MS-13 and 18s) and their desired extermination. It is also done through the re-interpreting of folk metal in the local phenomenon of tribal metal that reinterprets the indigenous through the lens of modern society and heavy metal’s ideas of power. Finally, the Salvadoran metalhead adapts the genre’s vulgarity and dark humor to fuel their own systems of dealing with harsh repression and existing within a society that seems to have no place for them. At the bottom though, much more than a community, Heavy Metal in El Salvador is a source of fraternalismo that utilizes the Philosophy of Life to bind its members together and to provide them a means by which to express their personal freedoms within a society that would happily see them limited. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
Johns Hopkins University |
Place of Publication |
Ann Arbor |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-392-06770-3 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2204 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Pack, Christian |
|
| |
Title |
‘Severed Reality’: Representations of reality in Salvadoran tribal metal |
Type |
Journal Article |
| |
Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
|
|
| |
Volume |
4 |
Issue |
1 |
Pages |
187-196 |
|
| |
Keywords |
Motifs; Cultural Identity; Non-Western scenes; El Salvador; Tribal metal |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
en |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
2052-3998 |
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ pack_severed_2018 |
Serial |
516 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Pailahual, Stefanie Pacheco; Hernández, Katherin Pailahual |
|
| |
Title |
Identidad autorepresentación y discurso decolonial en las letras del album debut del grupo Mapuche Peumayen |
Type |
Journal Article |
| |
Year |
2018 |
Publication |
Arte y Políticas de Identidad; Murcia |
Abbreviated Journal |
|
|
| |
Volume |
19 |
Issue |
|
Pages |
183-200 |
|
| |
Keywords |
Cultural Identity; Non-Western scenes; Indigenity; Mapuche; Peumayen (band) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
Spanish |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
1889979x |
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Identity, Self-Representation And Decolonial Discourse In The Lyrics Of Mapuche Peumayen Group’S First Album |
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ pailahual_identidad_2018 |
Serial |
908 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Panzini, Ariel |
|
| |
Title |
Heavy metal argentino: la clase del pueblo que no se rindió : análisis y diagnóstico del movimiento metalero argentino para la construcción de un marco teórico de entendimiento |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Sociology; Non-Western scenes; Argentina |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
|
|
| |
Language |
Spanish |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-987-41-6710-1 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ panzini_heavy_2018 |
Serial |
1593 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Patterson, Dayal |
|
| |
Title |
Black metal: into the abyss |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Black Metal; History (metal music) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Camion blanc |
Place of Publication |
Rosières-en-Haye |
Editor |
|
|
| |
Language |
French |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-2-37848-030-1 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ patterson_black_2018 |
Serial |
1854 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Pelletier, Samaël |
|
| |
Title |
Extreme metal : subculture, genre, and structure |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
|
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
Université de Montréal |
Place of Publication |
Montréal |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ pelletier_extreme_2018 |
Serial |
690 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Pilo, Baptiste |
|
| |
Title |
True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the ‘90s |
Type |
Book Chapter |
| |
Year |
2018 |
Publication |
Sounds of origin in heavy metal music |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
41-70 |
|
| |
Keywords |
Norway; Extreme right; Politics; Nationalism; Authenticity; Black MEtal |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Cambridge Scholars Publishing |
Place of Publication |
Cambridge |
Editor |
Karjalainen, Toni-Matti |
|
| |
Language |
English |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-5275-1170-5 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ karjalainen_true_2018 |
Serial |
475 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Piszczorowicz, Bruno |
|
| |
Title |
L’ère metal (1954-1988) |
Type |
Book Whole |
| |
Year |
2018 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
History (metal music) |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Camion blanc |
Place of Publication |
Rosières-en-Haye |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-2-37848-050-9 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ piszczorowicz_lere_2018 |
Serial |
1801 |
|
| Permanent link to this record |
