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Author |
Crofton-Sleigh, Lissa |
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Title |
Heavy Metal Dido: Heimdall’s “Ballad of the Queen” |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Classical Antiquity in Heavy Metal Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
115-130 |
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Keywords |
Literature; Antiquity; Heimdall |
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Publisher |
Bloomsbury Academic |
Place of Publication |
London, New York, Oxford, New Dehli & Sydney |
Editor |
Fletcher, Kris F.B.; Umurhan, Osman |
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Language |
English |
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ISBN  |
978-1-350-07535-1 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fletcher_heavy_2019 |
Serial |
645 |
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Author |
Magro-Martínez, Iker |
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Title |
A Metal monstrum: Ex Deo’s Caligula |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Classical Antiquity in Heavy Metal Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
131-154 |
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Keywords |
History; Antiquity |
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Abstract |
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Thesis |
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Publisher |
Bloomsbury Academic |
Place of Publication |
London, New York, Oxford, New Dehli & Sydney |
Editor |
Fletcher, Kris F.B.; Umurhan, Osman |
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Language |
English |
Summary Language |
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ISBN |
978-1-350-07535-1 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fletcher_metal_2019 |
Serial |
646 |
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Author |
Secord, Jared |
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Title |
Occult and Pulp Visions of Greece and Rome in Heavy Metal |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Classical Antiquity in Heavy Metal Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
155-172 |
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Keywords |
Literature; Antiquity |
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Abstract |
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Corporate Author |
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Thesis |
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Publisher |
Bloomsbury Academic |
Place of Publication |
London, New York, Oxford, New Dehli & Sydney |
Editor |
Fletcher, Kris F.B.; Umurhan, Osman |
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Language |
English |
Summary Language |
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ISBN |
978-1-350-07535-1 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fletcher_occult_2019 |
Serial |
647 |
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Author |
Olabarria, Leire |
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Title |
“When the Land was Milk and Honey and Magic was Strong and True”: Edward Said, Ancient Egypt, and Heavy Metal |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Classical Antiquity in Heavy Metal Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
173-200 |
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Keywords |
Antiquity; Said; Orientalism; Ancient Egypt |
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Publisher |
Bloomsbury Academic |
Place of Publication |
London, New York, Oxford, New Dehli & Sydney |
Editor |
Fletcher, Kris F.B.; Umurhan, Osman |
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Language |
English |
Summary Language |
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Original Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
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ISBN |
978-1-350-07535-1 |
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Notes |
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Approved |
no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fletcher_when_2019 |
Serial |
648 |
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Author |
Umurhan, Osman |
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Title |
Coda: Some Trends in Metal’s Use of Classical Antiquity |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Classical Antiquity in Heavy Metal Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
201-216 |
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Keywords |
Antiquity |
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Abstract |
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Address |
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Corporate Author |
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Thesis |
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Publisher |
Bloomsbury Academic |
Place of Publication |
London, New York, Oxford, New Dehli & Sydney |
Editor |
Fletcher, Kris F.B.; Umurhan, Osman |
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Language |
English |
Summary Language |
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Original Title |
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Series Editor |
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Series Volume |
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Edition |
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ISSN |
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ISBN |
978-1-350-07535-1 |
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Notes |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ fletcher_coda_2019 |
Serial |
649 |
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Author |
Odell, Grace Kate |
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Title |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
Type |
Book Whole |
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Year |
2019 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
174 |
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Keywords |
David Bowie; Communication and the arts; Ethnicity; Gender; Heavy metal; Nationality; Queen (band); Rock music; Sexuality; Theatricality |
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Abstract |
Many discussions of the rock band Queen (vocalist Freddie Mercury, guitarist Brian May, drummer Roger Taylor, and bassist John Deacon) reference their theatricality, yet few analyze what makes Queen’s music and performances theatrical. Through examining Queen’s theatricality from different angles, this thesis shows the different layers of Queen’s performativity and its relationship to identity.
After an introductory chapter that surveys the literature about Queen, the second chapter of the thesis analyzes the theatricality of Queen’s music from a stylistic basis. The chapter begins by addressing Queen’s camp theatricality through their use of music hall, operetta, and musical theatre styles. It then addresses their drama-based theatricality through their use of opera and film music styles. The third chapter analyzes Queen’s performance of gender and sexuality through their use of different genres. It first discusses Queen’s participation in the genre of glam rock, in which they performed a more feminine persona, but were still understood as heterosexual. Then it explores Queen’s disco and funk influenced music and Mercury’s “castro clone” image as simultaneously a more masculine and more homosexual performance. Finally the chapter analyzes the various rock genres Queen used throughout their career in order to perform heterosexual masculinity, including hard rock, stadium rock, and heavy metal.
The fourth chapter focuses primarily on Mercury’s performance of ethnicity and nationality through his music. Taking into account his history as a first-generation Parsi Zanzibarian who immigrated to London, it first looks at his and Queen’s expressions of “Britishness” through the figure of the British pop dandy and their use of the British national anthem. Then it turns to discussing the influence of Mercury’s Persian and African heritage on select songs. Finally, it examines religion as it relates to cultural identity, specifically Mercury’s Zoroastrian heritage and the ways he used the aesthetics of heavy metal to articulate his place within that religion. The fifth chapter concludes the thesis by taking a holistic view of how all of these layers of performativity operated simultaneously, endowing Queen’s music with a deep and complex sense of theatricality. |
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Address |
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Thesis |
Master's thesis |
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Publisher |
University of Missouri |
Place of Publication |
Ann Arbor |
Editor |
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Language |
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ISBN |
978-1-392-27237-4 |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2203 |
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Author |
Barratt-Peacock, Ruth; Hagen, Ross (eds) |
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Title |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
Type |
Book Whole |
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Year |
2019 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Extreme right; Politics; Neomedievalism; Race; Cover art; Nationalism |
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Abstract |
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Publisher |
Emerald |
Place of Publication |
London |
Editor |
Barratt-Peacock, Ruth; Hagen, Ross |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Volume |
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Edition |
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ISSN |
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ISBN |
978-1-78756-396-4 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ barratt-peacock_medievalism_2019 |
Serial |
89 |
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Author |
Saguar García, Amaranta |
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Title |
The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
93-106 |
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Keywords |
Spain; Motifs; Cultural Identity; Neomedievalism; Nationalism; Rodrigo Díaz de Vivar; El Cid |
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Abstract |
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Publisher |
Emerald |
Place of Publication |
London |
Editor |
Barratt-Peacock, Ruth; Hagen, Ross |
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Language |
en |
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ISBN |
978-1-78756-396-4 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ barratt-peacock_return_2019 |
Serial |
90 |
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Author |
Hellrich, Johannes; Rzymski, Christoph; Vestergaard, Vitus |
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Title |
The Trans-Medial Fight for Glory |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
13-20 |
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Keywords |
Neomedievalism; Media |
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Publisher |
Emerald |
Place of Publication |
London |
Editor |
Barratt-Peacock, Ruth; Hagen, Ross |
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ISBN |
978-1-78756-396-4 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ barratt-peacock_trans-medial_2019 |
Serial |
484 |
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Author |
Vestergaard, Vitus |
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Title |
Medieval Media Transformations and Metal Album Covers |
Type |
Book Chapter |
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Year |
2019 |
Publication |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
21-34 |
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Keywords |
Neomedievalism; Cover art; Media |
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Publisher |
Emerald |
Place of Publication |
London |
Editor |
Barratt-Peacock, Ruth; Hagen, Ross |
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Language |
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ISSN |
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ISBN |
978-1-78756-396-4 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ barratt-peacock_medieval_2019 |
Serial |
485 |
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