| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Brown, Andy R. |
The importance of being metal: the metal music tabloid and youth identity construction |
2010 |
The metal void: first gatherings |
|
105-134 |
|
|
|
Brown, Andy R. |
“Everything Louder Than Everything Else”. The contemporary metal music magazine and its cultural appeal |
2007 |
Journalism Studies |
8 |
642-655 |
|
|
|
Brown, Andy R. |
Rethinking the Subcultural Commodity : Exploring Heavy Metal T-Shirt Culture(s) |
2007 |
Youth Cultures: Scenes, Subcultures and Tribes |
|
63-78 |
|
|
|
Brown, Andy R. (ed) |
Who Do We Think They Are? Deep Purple and Metal Studies |
2024 |
|
|
|
|
|
|
Brown, Andy R., Niall W. R. |
From class disgust to indie art-house accolades and fan celebrity: the strange cultural journey of ”Heavy Metal Parking Lot” |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Brown, Andy R., Niall W. R. |
The Ballad of Heavy Metal: The Art of Song-Writing, Production Values and Pop-Metal Crossover |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
|
|
|
Brown, Andy R., Titus |
Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not |
2013 |
Heavy metal: controversies and countercultures |
|
17-35 |
|
|
|
Brown, Andy R.; Fellezs, Kevin (eds) |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
2012 |
|
|
|
|
|
|
Brown, Andy R.; Griffin, Christine |
’A cockroach preserved in amber’: the significance of class in critics’ representations of heavy metal music and its fans |
2014 |
The Sociological Review; Keele |
62 |
|
|
|
|
Brown, Andy R.; Spracklen, Karl; Kahn-Harris, Keith; Scott, Niall W.R. |
Introduction: Global Metal Music and Culture and Metal Studies |
2016 |
Global metal music and culture: current directions in metal studies |
|
1-21 |
|
