| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
|
|
|
Apter, Jeff |
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
2021 |
|
|
296 |
|
|
|
Spracklen, Karl |
Afterword. Being Metal, Being Australian? Reflections and an Afterword |
2019 |
Australian Metal Music |
|
145-148 |
|
|
|
Sage, Matt; Brooker, Caelli Jo |
Manifold Intensities: Musical Identities in Contemporary Antipodean Metalcore and Post-Hardcore |
2018 |
Sounds of origin in heavy metal music |
|
141-168 |
|
|
|
Collinson, Ian |
‘This is the Funeral of the Earth’: The ‘Dead-end’ Environmental Discourses of Australian Ecometal |
2019 |
Australian Metal Music |
|
129-144 |
|
|
|
Yalcinkaya, Can; Ahmed, Safdar |
Creeping Sharia: An Extreme Response to Islamophobia |
2019 |
Australian Metal Music |
|
111-128 |
|
|
|
Glitsos, Laura |
“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community |
2020 |
Popular Music and Society |
43 |
93-113 |
|
|
|
Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
|
|
|
Rowe, Paula |
Heavy Metal, Identity Work and Social Transitions: Implications for Young People’s Well Being in the Australian Context |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
79-92 |
|
|
|
Overell, Rosemary |
Brutal belonging in Melbourne’s grindcore scene |
2010 |
Studies in Symbolic Interaction. Vol. 35 |
|
79-99 |
|
