| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
|
|
|
Höpflinger, Anna-Katharina |
Zwischen Normativität und Abgrenzung – Aggresivität und Gender in der Black Metal Szene |
2016 |
Rohe Beats, harte Sounds : populäre Musik und Aggression |
|
119-130 |
|
|
|
Hutcherson, Ben; Haenfler, Ross |
Musical genre as a gendered process: Authenticity in extreme metal |
2010 |
Studies in Symbolic Interaction |
35 |
101-121 |
|
|
|
Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
|
|
|
Jones, Simon |
Kerrang! magazine and the representation of heavy metal masculinities (1981–95) |
2018 |
Metal Music Studies |
4 |
459-480 |
|
|
|
Kahn-Harris, Keith |
”Coming Out”: Realising the Possibilities of Metal |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
26-38 |
|
|
|
Kaiser, Maisie |
Gender, Identity, and Power in Metal Music Scenes |
2016 |
|
|
|
|
|
|
Kartheus, Wiebke |
The ‘other’ as projection screen: Authenticating heroic masculinity in war-themed heavy metal music videos |
2015 |
Metal Music Studies |
1 |
319-340 |
|
|
|
Kinnunen, Maarit; Honkanen, Antti |
Femininity in metal fanship: “I do not need to take anyone along” |
2021 |
Metal Music Studies |
7 |
211-235 |
|
|
|
Kitteringham, Sarah |
Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore |
2014 |
|
|
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