| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Brandl, Gregory |
Die Entwicklung und Bedeutung der E-Gitarre im Heavy Metal |
2010 |
|
|
|
|
|
|
Brizard, Cyril |
La fusion de la musique metal et de la musique classique. Nightwish et les voix chantées. Une étude de cas |
2006 |
Volume! La revue des musiques populaires |
5 |
115-135 |
|
|
|
Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
|
|
|
Burns, Lori A.; Armstrong, Patrick |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
2021 |
Metal Music Studies |
7 |
357-382 |
|
|
|
Chowenhill, Richard |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
2020 |
|
|
|
|
|
|
Earl, Benjamin |
Metal goes ’pop’: the explosion of heavy metal into the mainstream |
2009 |
Heavy metal music in Britain |
|
33-52 |
|
|
|
Efthimiou, Charris |
”Gott, da draußen sind eine Viertelmillion Menschen versau es nicht”. Ein Versuch, den typischen Iron Maiden-Klang aus musikanalytischer Sicht zu beschreiben |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
117-134 |
|
|
|
Elflein, Dieter |
Iron and Steel: Forging Heavy Metal’s Song Structures or the Impact of Black Sabbath and Judas Priest on Metal’s Musical Language |
2016 |
Global metal music and culture: current directions in metal studies |
|
35-49 |
|
|
|
Elflein, Dietmar |
Slaying the pulse: rhythmic organisation and rhythmic interplay within heavy metal |
2010 |
The metal void: first gatherings |
|
279-292 |
|
|
|
Forshaw, Juliet |
Metal in Three Modes of Enmity: Political, Musical, Cosmic |
2011 |
Current Musicology |
|
139-160,217 |
|
